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āĻĒāĻŋāĻ­āϟ āϞ⧇āϭ⧇āϞ⧇āϰ āĻĒāϰāĻŋāϚāĻŋāϤāĻŋ āĻāĻŦāĻ‚ āĻŦāĻšā§āĻŦāĻŋāϧ āĻŦā§āϝāĻŦāĻšāĻžāϰ

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āĻĢāϰ⧇āĻ•ā§āϏ āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚ Chart āĻ āĻĒāĻŋāĻ­āϟ āϞ⧇āϭ⧇āϞ āĻšāĻšā§āϛ⧇ āĻ…āĻ¤ā§āϝāĻ¨ā§āϤ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻāĻ•āϟāĻŋ āϟ⧁āϞ āĨ¤ āĻāχ āĻĒāĻŋāĻ­āϟ āϞ⧇āϭ⧇āϞāϕ⧇ āĻŦāĻšā§ āĻ­āĻžāĻŦ⧇ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰāĻž āϝāĻžā§Ÿ, āϝ⧇āĻŽāύ, āĻ•ā§āϝāĻžāĻ¨ā§āĻĄā§‡āϞāĻ¸ā§āϟāĻŋāĻ• āĻĒā§āϝāĻžāϟāĻžāĻ°ā§āύ, āĻĢāĻŋāĻŦā§‹āύāĻžāĻ•ā§āĻ•āĻŋ āϞ⧇āϭ⧇āϞ, āĻāϞāĻŋā§Ÿā§‡āϟ āĻ“ā§Ÿā§‡āĻ­, āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϧāϰāύ⧇āϰ āχāĻ¨ā§āĻĄāĻŋāϕ⧇āϟāϰāϏāĻš āχāĻ¤ā§āϝāĻžāĻĻāĻŋāϰ āϏāĻžāĻĨ⧇ āĻĒāĻŋāĻ­āϟ āϞ⧇āϭ⧇āϞ⧇āϰ āϏāĻ¨ā§āύāĻŋāĻŦ⧇āĻļ āϘāϟāĻžāύ⧋ āϏāĻŽā§āĻ­āĻŦ āĻšāϞ⧇ āĻĒāĻŋāĻ­āϟ āϞ⧇āϭ⧇āϞ⧇āϰ āĻ—ā§āϰāĻšāύāϝ⧋āĻ—ā§āϝāϤāĻž āĻ…āύ⧇āĻ• āĻŦ⧇āĻļā§€ āĻĒāϰāĻŋāĻŽāĻžāϪ⧇ āĻŦ⧃āĻĻā§āϧāĻŋ āĻĒā§‡ā§Ÿā§‡ āĻĨāĻžāϕ⧇ āĨ¤ āύ⧀āĻšā§‡āϰ āĻŦāχāϟāĻŋāϤ⧇ āĻĒāĻŋāĻ­āϟ āϞ⧇āϭ⧇āϞ⧇āϰ āĻĒāϰāĻŋāϚāĻŋāϤāĻŋāϏāĻš āĻāϰ āĻŦāĻšā§āĻŦāĻŋāϧ āĻŦā§āϝāĻŦāĻšāĻžāϰ⧇āϰ āĻĒā§āĻ°ā§Ÿā§‹āĻ— Chart āϏāĻšāĻ•āĻžāϰ⧇ āĻĻ⧇āĻ–āĻžāύ⧋ āĻšā§Ÿā§‡āϛ⧇ āĨ¤ āĻāχ āĻŦāχāϟāĻŋāϰ āϏāĻžāĻĨ⧇ āĻŦāĻŋāĻĄāĻŋāĻĒāĻŋāĻĒāϏ⧇āϰ āĻĒāĻŋāĻ­āϟ āϞ⧇āϭ⧇āϞ⧇āϰ āχāĻ¨ā§āĻĄāĻŋāϕ⧇āϟāϰāϟāĻŋāϕ⧇āĻ“ āϏāĻ‚āϝ⧁āĻ•ā§āϤ āĻ•āϰ⧇ āĻĻ⧇āĻ“ā§ŸāĻž āĻšāϞ āĨ¤

āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇

Download Link

http://www.mediafire.com/download/aenj7mq35m7k6p6/Forex_Conquered.pdf

āϏāĻ‚āϝ⧁āĻ•ā§āϤ āĻĢāĻžāχāϞ

  • āϏāĻ‚āϝ⧁āĻ•ā§āϤ āĻĢāĻžāχāϞ  BDPIPS-Daily-Pivots.ex4 (11.09K)
    āĻĄāĻžāωāύāϞ⧋āĻĄ āϏāĻ‚āĻ–ā§āϝāĻž: 17
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āϞāĻ‚ āϟāĻžāĻ°ā§āĻŽ āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚ āωāχāĻĨ EMA

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LONG TERM TRADING USING MA

A stretagy made by Tanvir

āϏāĻžāϞāĻžāĻŽāĨ¤ āφāϜāϕ⧇ āφāĻĒāύāĻžāĻĻ⧇āϰ āϏāĻžāĻĨ⧇ āĻāĻ•āϟāĻŋ āϞāĻ‚ āϟāĻžāĻ°ā§āĻŽ āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚ Stretagy āĻļā§‡ā§ŸāĻžāϰ āĻ•āϰāĻŦā§‹āĨ¤

āϟāĻžāχāĻŽ āĻĢā§āϰ⧇āĻŽāσ4H

āĻĒā§‡ā§ŸāĻžāϰāσ GBP-USD

āχāύāĻĄāĻŋāϕ⧇āϟāϰ: Exponential moving Average ( 3EMA āĻāĻŦāĻ‚ 24 EMA)



āĻ•āĻŋāĻ­āĻžāĻŦ⧇ āχāύāĻĄāĻŋāϕ⧇āϟāϰ āϏ⧇āϟ āĻ•āϰāĻŦ⧇āύāσ

āĻĒā§āϰāĻĨāĻŽā§‡ Indicator>Trend>movingaverage āĻ āϝāĻžāύ āĻāĻŦāĻ‚ āύāĻŋāĻšā§‡āϰ āĻŽāϤ⧋ āϏ⧇āϟāĻŋāĻ‚āĻ¸ā§â€Œ āĻĻāĻŋāύ

3 EMA Settings

āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇

24 EMA Settings

āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇



āĻāĻ¨ā§āĻŸā§āϰāĻŋ āĻāϰ āύāĻŋ⧟āĻŽ

āĻŦāĻžāχāσ


āϝāĻ–āύ 3 ema, 24 ema  āϕ⧇ āύāĻŋāϚ āĻĨ⧇āϕ⧇āĻ•ā§āϰāϏ āĻ•āϰ⧇ āωāĻĒāϰ⧇ āϝāĻžāĻŦ⧇ āϤāĻ–āύ āĻ…āχ āĻ•ā§āϝāĻžāĻ¨ā§āĻĄāϞ āĻ•ā§āϞ⧋āϜ āĻšāĻ“ā§ŸāĻžāϰ āĻĒāϰ āĻĒāϰ⧇āϰ āĻ•ā§āϝāĻžāĻ¨ā§āĻĄāϞ āĻāϰ āĻļ⧁āϰ⧁āϤ⧇ āĻāĻ¨ā§āĻŸā§āϰāĻŋāύāĻŋāϤ⧇ āĻšāĻŦ⧇ āĨ¤


āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇

āϏ⧇āϞāσ

ā§Š ema 24 ema  āϕ⧇ āωāĻĒāĻ°Â Â āĻĨ⧇āϕ⧇ āĻ•ā§āϰāϏ āĻ•āϰ⧇ āύāĻŋāĻšā§‡ āϝāĻžāĻŦ⧇ āϤāĻ–āύ āĻ…āχ āĻ•ā§āϝāĻžāĻ¨ā§āĻĄāϞ āĻ•ā§āϞ⧋āϜāĻšāĻ“ā§ŸāĻžāϰ āĻĒāϰ āĻĒāϰ⧇āϰ āĻ•ā§āϝāĻžāĻ¨ā§āĻĄāϞ āĻāϰ āĻļ⧁āϰ⧁āϤ⧇ āĻāĻ¨ā§āĻŸā§āϰāĻŋ āύāĻŋāϤ⧇ āĻšāĻŦ⧇ āĨ¤


āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇


āφāĻĒāύāĻžāϰāĻž āĻāĻ‡Â Â āχāύāĻĄāĻŋāϕ⧇āϟāϰ āϟāĻŋ āχāωāϏ āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧇āύ āĨ¤ āĻāϟāĻŋ āϤ⧀āϰ āϚāĻŋāĻšā§āύāϧāĻžāϰāĻž āĻĻ⧇āĻ–āĻŋā§Ÿā§‡ āĻĻāĻŋāĻŦ⧇ āĻŦāĻžāχ āĻ•āϰāĻŦ⧇āύ āύāĻž āϏ⧇āϞ https://www.dropbox....over_Signal.mq4

Indicator āϟāĻŋ āχāĻ¨ā§āϏāϟāϞ āĻĻāĻŋā§Ÿā§‡ inputāĻ āĻ—āĻŋā§Ÿā§‡ āύāĻŋāĻšā§‡āϰ āĻŽāϤ⧋ āϏ⧇āϟāĻŋāĻ‚ āĻšā§‡āĻžā§āϜ āĻ•āϰ⧇ āύāĻŋāύ

āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇



āĻāϏāĻāϞāσ


āϏāĻŋāĻ—āύāĻžāϞ āĻ•ā§āϝāĻžāĻ¨ā§āĻĄāϞ āĻāϰ āφāϗ⧇āϰ āĻ•ā§āϝāĻžāĻ¨ā§āĻĄāϞ⧇āϰ āĻšāĻžāχ/āϞ⧋ ( āĻĢāϰ āϏ⧇āĻĢāϟāĻŋ ā§Ģ/ā§§ā§Ļ āĻĒāĻŋāĻĒ āĻŦ⧇āĻļāĻŋ āĻĻāĻŋā§Ÿā§‡āύ )āĨ¤ āϏāĻ°ā§āĻŦāĻšā§āϚ ā§Ģā§ĻāĻĒāĻŋāĻĒ āĻāϏāĻāϞ āĻĻāĻŋāĻŦ⧇āύ āĨ¤

āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇



āϟāĻŋāĻĒāĻŋāσ


ā§§ā§Ģā§Ļ-⧍ā§Ļā§Ļ āĻĒāĻŋāĻĒā§āϏ āĻ…āĻĨāĻŦāĻž āύ⧇āĻ•ā§āϏāϟāϏāĻŋāĻ—āύāĻžāϞ āĻ āĻ•ā§āϞ⧋āϜ āĻ•āϰāĻŦ⧇āύāĨ¤ āĻĒā§āϰāĻžāχāϏ ā§§ā§Ļā§Ļ āĻĒāĻŋāĻĒ āφāĻĒ āĻšāϞ⧇ āĻŦā§āϰ⧇āĻ• āχāϭ⧇āύ āĻ āĻŸā§āϰ⧇āĻĄ āϏ⧇āϟ āĻ•āϰ⧇ āĻĻāĻŋāĻŦ⧇āύāĨ¤ āĻŸā§āϰ⧇āχāϞāĻŋāĻ‚āĻ¸ā§āϟāĻĒ āχāωāϏ āĻ•āϰāϞ⧇ āφāϰāĻ“ āĻŦ⧇āĻļāĻŋ āĻĒāĻŋāĻĒ āĻĒ⧇āϤ⧇ āĻĒāĻžāϰ⧇āύāĨ¤ āφāĻĒ āϟ⧁ āχāωāĨ¤


āĻāχ āϏāĻŋāĻ¸ā§āĻŸā§‡āĻŽ āϟāĻŋ āĻŦ⧇āĻ• āĻŸā§‡āĻ¸ā§āϟāĻ…āύ⧁āϝāĻžā§Ÿā§€ āϜāĻŋāĻŦāĻŋāĻĒāĻŋ āχāωāĻāϏāĻĄāĻŋ āϤ⧇ āϏāĻŦāĻšā§‡ā§Ÿā§‡ āĻ­āĻžāϞ⧋ āĻ•āĻžāϜ āĻ•āϰ⧇āĨ¤ 4H āϟāĻžāχāĻŽā§āĻĢā§āϰ⧇āĻŽ āĻāĨ¤Â Â EU/ NU āĻ āĻ“ āĻŸā§āϰāĻžāχ āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧇āύ āĨ¤


āĻŦāĻŋāσ āĻĻā§āϰāσ āϏāĻŋāĻ—āύāĻžāϞāĻ…āύ⧇āĻ• āĻ•āĻŽ āĻĒāĻžāĻŦ⧇āύ āĨ¤ āφāϰ āĻŽāĻžāύāĻŋ āĻŽā§āϝāĻžāύ⧇āϜāĻŽā§‡āĻ¨ā§āϟ āĻ āĻŋāĻ• āϰāĻžāĻ–āĻŦ⧇āύāĨ¤ āϞāĻžāĻ­+āϞāϏ=āĻĒā§āϰāĻĢāĻŋāϟ āĨ¤ āĻŦ⧁āĻāϤ⧇ āϏāĻŽāĻ¸ā§āϝāĻž āĻšāϞ⧇ āύāĻŋāĻšā§‡ āĻ•āĻŽā§‡āĻ¨ā§āϟ āĻ•āϰ⧁āύ āĨ¤ āϧāĻ¨ā§āϝāĻŦāĻžāĻĻ

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āϏāĻ‚āϝ⧁āĻ•ā§āϤ āĻĢāĻžāχāϞ

  • āϏāĻ‚āϝ⧁āĻ•ā§āϤ āĻĢāĻžāχāϞ  MA_Crossover_Signal.mq4 (3.75K)
    āĻĄāĻžāωāύāϞ⧋āĻĄ āϏāĻ‚āĻ–ā§āϝāĻž: 48
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Bollinger Bands āĻāϰ āĻ‰ā§ŽāĻĒāĻ¤ā§āϤāĻŋ āĻāĻŦāĻ‚ āĻ•āĻžāĻ°ā§āϝāĻ•āϰ āĻŦā§āϝāĻŦāĻšāĻžāϰ-āĻŦāĻŋāϧāĻŋ

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āĻĢāϰ⧇āĻ•ā§āϏ āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚ Chart āĻāϰ āĻ…āĻ¨ā§āϝāϤāĻŽ āϏ⧇āϰāĻž āχāĻ¨ā§āĻĄāĻŋāϕ⧇āϟāϰ āĻšāĻšā§āϛ⧇ "Bollinger Bands", āĻāχ āχāĻ¨ā§āĻĄāĻŋāϕ⧇āϟāϰāϟāĻŋ āϝāĻžāϰāĻž āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰ⧇āύ āϤāĻžāϰāĻž āύāĻŋāĻļā§āϚ⧟āχ āϜāĻžāύ⧇āύ āϝ⧇, āĻāχ āχāĻ¨ā§āĻĄāĻŋāϕ⧇āϟāϰāϟāĻŋ āĻŦā§āϝāĻŦāĻšāĻžāϰ⧇āϰ āϏ⧁āĻŦāĻŋāϧāĻžāϗ⧁āϞ⧋ āĻ•āĻŋ āĻ•āĻŋ āĨ¤ āĻāχ āχāĻ¨ā§āĻĄāĻŋāϕ⧇āϟāϰ⧇ āĻāĻ•āχ āϏāĻžāĻĨ⧇ Moving Average āĻāĻŦāĻ‚ Deviation āωāĻ­ā§Ÿā§‡āϰ āϏāĻŽāĻ¨ā§āĻŦ⧟ āϘāϟāĻžāύ⧋ āĻšā§Ÿā§‡āϛ⧇ āĨ¤

āĻāχ āχāĻ¨ā§āĻĄāĻŋāϕ⧇āϟāϰ⧇āϰ āωāĻĻā§āĻ­āĻžāĻŦāĻ• "John Bollinger" āύāĻŋāĻœā§‡āχ āĻāχ āĻŦāχāϟāĻŋ āϰāϚāύāĻž āĻ•āϰ⧇āϛ⧇āύ āφāϰ āĻāχ āĻŦāχāϤ⧇ āϤāĻŋāύāĻŋ āωāĻ˛ā§āϞ⧇āĻ– āĻ•āϰ⧇āϛ⧇āύ - Bollinger Bands āĻāϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āĻ•āĻŋāĻ­āĻžāĻŦ⧇ āĻ•āĻžāĻ°ā§āϝāĻ•āϰ āĻ­āĻžāĻŦ⧇ āĻŸā§āϰ⧇āĻĄ āĻ•āϰāĻž āϝāĻžā§Ÿ, āϕ⧋āύ āϕ⧋āύ Chart āĻĒā§āϝāĻžāϟāĻžāĻ°ā§āύ Bollinger Bands āĻāϰ āϏāĻžāĻĨ⧇ āĻŦ⧇āĻļā§€ āĻ•āĻžāĻ°ā§āϝāĻ•āϰ⧀ āĻāĻŦāĻ‚ āĻāχ āχāĻ¨ā§āĻĄāĻŋāϕ⧇āϟāϰ⧇āϰ āϏāĻžāĻĨ⧇ āĻ…āĻ¨ā§āϝ āϕ⧋āύ āϕ⧋āύ āχāĻ¨ā§āĻĄāĻŋāϕ⧇āϟāϰ-āĻ…āĻ¸ā§āĻ•āĻŋāϞ⧇āϟāϰ⧇āϰ āϏāĻŽāĻ¨ā§āĻŦā§Ÿā§‡ āφāϰāĻ“ āĻ­āĻžāϞāĻ­āĻžāĻŦ⧇ āĻŸā§āϰ⧇āĻĄ āĻ•āϰāĻž āϝāĻžā§Ÿ āĨ¤ āϝāĻžāϰāĻž Bollinger Bands āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰ⧇āύ āϤāĻžāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻāχ āĻŦāχāϟāĻŋ āĻŦāĻŋāĻļ⧇āώ āωāĻĒāĻ•āĻžāϰ⧀ āĻšāĻŦ⧇ āĻŦāϞ⧇ āφāĻŽāĻŋ āφāĻļāĻž āĻ•āϰāĻ›āĻŋ āĨ¤

āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇

Download Link

http://www.mediafire.com/download/zsku40abm94rnn0/Bollinger_Bands.pdf




āĻŦāĻŋāĻļ⧇āώ āĻĻā§āϰāĻˇā§āϟāĻŦā§āϝ : āύāĻžāϏāĻŋāĻŽ āĻ­āĻžāχ Bollinger Bands āĻāϰ āĻŦā§āϝāĻŦāĻšāĻžāϰ āύāĻŋā§Ÿā§‡ āĻŦ⧇āĻļ āĻ•ā§Ÿā§‡āĻ•āϟāĻŋ āĻĒā§‹āĻ¸ā§āϟ āϞāĻŋāϖ⧇āϛ⧇āύ, āϏ⧇āχāϗ⧁āϞ⧋ āĻŦāĻžāĻ‚āϞāĻžā§Ÿ āϞāĻŋāĻ–āĻž āĻŦāĻŋāϧāĻžā§Ÿ āϜāĻžāύāĻžāϰ āϜāĻ¨ā§āϝ āĻŦāĻŋāĻļ⧇āώ āϏāĻšāϝ⧋āĻ—ā§€ āĻšāĻŦ⧇ āĨ¤

http://www.mediafire.com/download/1xjd1mpxdyvd15y/Nasim-Study.pdf

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Who can tell this indicators name? $50

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Dear brother and sisters. I have been running blindly after 3 indicators. I have the screenshots but i dont know which indicators has been used here. The original trader refused to tell me the name of indicatos. I know this works like charme. But if you can help to find the indicator i would be greatfullf. And of course i wil share it how it works. So everyone can get the benifit.
And not only that i am ready to pay $50 instant paypal or moneybooker to succesfully person who can get me these indicators.
āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇
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āϏāĻžāĻŦāϧāĻžāύ!!! āφāϜ āĻāύ.āĻāĻĢ.āĻĒāĻŋ

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āφāϜ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āϏāĻŽā§Ÿ āϏāĻ¨ā§āĻ§ā§āϝāĻž ā§­ āϟāĻž ā§Šā§Ļ āĻŽāĻŋāύāĻŋāϟ āĻ āĻāύ.āĻāĻĢ.āĻĒāĻŋāĨ¤ āϏāĻžāĻŦāϧāĻžāύ⧇ āĻŸā§āϰ⧇āĻĄ āĻ•āϰāĻŦ⧇āύāĨ¤

Previous: 148.00K Consensus: 125.00K

# Generally speaking, a high reading is seen as positive (or bullish) for the USD, while a low reading is seen as negative (or bearish).
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Warren Buffett āĻāϰ āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚ āĻœā§€āĻŦāύ⧇āϰ āχāϤāĻŋāĻšāĻžāϏ

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āϝāĻžāϰāĻž āĻĢāϰ⧇āĻ•ā§āϏ āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚ āĻ āĻāϕ⧇āĻŦāĻžāϰ⧇āχ āύāĻŦā§€āύ, āϤāĻžāϰāĻž āĻšā§ŸāϤāĻŦāĻž āĻāχ āĻŦāχāϟāĻŋ āĻĒā§œā§‡ āϖ⧁āĻŦ āĻāĻ•āϟāĻž āĻŽāϜāĻž āĻĒāĻžāĻŦ⧇āύ āύāĻž, āĻ•āĻŋāĻ¨ā§āϤ⧁ āϝāĻžāĻĻ⧇āϰ āĻ•āĻŽāĻĒāĻ•ā§āώ⧇ āĻĻā§‡ā§œ-āĻĻ⧁āχ āĻŦāĻ›āϰ⧇āϰ āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚ āĻ…āĻ­āĻŋāĻœā§āĻžāϤāĻž āφāϛ⧇ āϤāĻžāϰāĻž āĻāχ āĻŦāχāϟāĻŋ āĻĒā§œā§‡ āĻ…āύ⧇āĻ• āĻŦāĻžā§œāϤāĻŋ āĻ•āĻŋāϛ⧁ āĻœā§āĻžāĻžāύ āĻ…āĻ°ā§āϜāύ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύ āĨ¤

āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇

Download Link

http://www.mediafire.com/download/lav7v4wx93vw47f/Warren_Buffett.pdf

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āĻĢāϰ⧇āĻ•ā§āϏ āύāĻŦā§€āύ āĻļāĻŋāĻ•ā§āώāĻžāĻ°ā§āĻĨā§€āĻĻ⧇āϰ Candlestick āϏāĻŽā§āĻŽāĻ¨ā§āϧ⧇ āϜāĻžāύāĻžāϰ āϏāĻšāϜ āĻŦāχ

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āϝ⧇āχ āϏāĻ•āϞ āĻĢāϰ⧇āĻ•ā§āϏ āĻļāĻŋāĻ•ā§āώāĻžāĻ°ā§āĻĨā§€āϰāĻž āĻāĻ–āύāĻ“ āĻĄā§‡āĻŽā§‹ āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚ āĻļ⧁āϰ⧁ āĻ•āϰ⧇ āύāĻžāχ, āĻ…āĻ°ā§āĻĨāĻžā§Ž, āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚ āϚāĻžāĻ°ā§āϟ, āĻ•ā§āϝāĻžāĻ¨ā§āĻĄā§‡āϞāĻ¸ā§āϟāĻŋāĻ• āĻĒā§āϝāĻžāϟāĻžāĻ°ā§āĻŖ, āχāĻ¤ā§āϝāĻžāĻĻāĻŋ āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āĻ­āĻžāϞāĻ­āĻžāĻŦ⧇ āϕ⧋āύ āϧāĻžāϰāĻŖāĻž āϤ⧈āϰ⧀ āĻ•āϰāϤ⧇ āϏāĻŽāĻ°ā§āĻĨ āĻšā§Ÿ āύāĻžāχ, āϤāĻžāĻĻ⧇āϰ āϜāĻ¨ā§āϝ Candlestick āϏāĻŽā§āĻŽāĻ¨ā§āϧ⧇ āĻļāĻŋāĻ•ā§āώāĻž āϞāĻžāĻ­ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āύ⧀āĻšā§‡āϰ āĻŦāχāϟāĻŋ āϖ⧁āĻŦāχ āωāĻĒāϝ⧁āĻ•ā§āϤ āĻāĻ•āϟāĻŋ āĻŦāχ āĨ¤

āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇

Download Link

http://www.mediafire...andle_Chart.pdf

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Part 4 – Become a Professional Trader: Putting It All Together

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Part 3 – How to Become a Pro Trader: Taking Off the ‘Training Wheels’


In Part 3 of this mini-series we discussed how to “take off the training wheels” of demo-trading and progress on to trading with a real-money account. If you missed Part 3 click here.
Here’s a quick review of the main points we covered last week:
Step 7: How to handle the emotions of trading with real money
Step 8: Successful Forex trading money management
We are going to wrap up this 4-part blog mini-series in today’s lesson by discussing how to “put it all together”. I am going to walk you guys through an example of how a professional trader operates in the market by taking you through a trade step by step. Hopefully, in today’s lesson you will understand how all the steps in this series work together to provide you with an effective trading approach. Now, let’s check out how a pro price action trader would progress through a trade:

Step 9: Finding a price action signal

If you’ve completed all the previous steps in this mini-series, you will be ready to take the next step which is to actually look for a price action signal to trade on your real-money account. This is where your Forex trading plan comes in; it will give you a checklist to guide you through the process of finding a valid price action signal. It is not a concrete rule-set, but rather a guide or an outline that you follow to make sure any potential setup that you find meets certain criteria. Here’s an example:
â€ĸ What time frame am I looking at? The daily chart time frame is best.
â€ĸ What market am I trading? Is it a major Forex pair or a more volatile exotic pair?
â€ĸ What condition is the market in? Trending, consolidating?
â€ĸ Where are the obvious key support / resistance levels in the market? Have I drawn them in?
â€ĸ What are the 8 and 21 daily EMAs doing? Where is price in relation to them?
â€ĸ Is there an obvious price action signal on the chart?
â€ĸ If there is an obvious signal, does it have confluence?
â€ĸ What confluence does it have? Trend, static support / resistance, dynamic support / resistance, 50% retrace level? Event area? The more the betterâ€Ļ
â€ĸ Is the signal showing rejection of a key market level?
â€ĸ Is the signal showing a false-break of a key market level?
These are just some of the things you would want to look for as you analyze the market and try to find a high-probability price action setup; it’s not a ‘complete’ trading plan or checklist. A professional Forex trader will have gone through the process of making sure any potential trade setup meets his or her checklist so many times that it turns into a habit and gets ingrained into their mind. Trading success is all about developing and maintaining the proper trading habits.
Here’s an example chart of the Kiwi/Yen pair, we can see this was a pin bar trading strategy that formed at a key level in the market and with the dominant daily trend. This was a very obvious price action setup that any professional trader trading this market would have caught. Note that it provided a very nice profit as the trend took off after the pin bar broke out to the upside:
Attached Image: nzdusdpin1.jpg

Step 10: Calculating the risk to reward ratio of the trade

After a professional Forex trader finds a valid signal to trade, the next thing they will do is concentrate on the risk. That’s right; the RISK is the first thing a pro trader concentrates onâ€Ļnot the reward, like most amateurs.
Depending on the particular setup you are trading and were the nearby key support or resistance levels are, a pro trader will place their stop loss at the most logical place that gives the trade room to breathe. Logical stop placement is a crucial difference between winning and losing Forex traders. Winning traders will take the time to focus on finding the “safest” place to put their stop, while beginners usually place too tight of a stop just because they want to trade a bigger position sizeâ€Ļor they place no stop at all, which is just insane.
Professional Forex traders calculate their risk reward ratio in terms of dollars at risk. So, if you have 100 dollars at risk, 1R (1 times risk) for you is $100, 2R is $200, and so on. Most pro traders are not very concerned with percentages or pips, because at the end of the year all that matters is how much money you lost relative to how much money you won. That’s why I measure my risk and reward in dollars, not percentages or pips.
In the chart below, we see the same NZDUSD pin bar trade, but this time we are calculating the potential risk reward on the trade. This trade actually ended up moving about 5R higher, meaning it would have returned 5 times what you risked if you had your stop loss just below the low of the pin and you entered at the high; a very good risk reward ratio indeed.
Attached Image: nzdusdpin2.jpg

Step 11: Managing the trade after it’s live

Managing trades after they are live is perhaps the part of trading that gives traders the most trouble. The reason why traders have difficulty managing their trades is primarily because they over-complicate the process. I am a strong believer in “set and forget Forex trading”, and indeed this is a core part of my overall trading philosophy. Meddling in your trades after they are live and second-guessing your trade setups are things amateur traders do. Professional traders only take trades they are 100% OK in risking their hard-earned money on, thus they don’t second-guess themselves usually, and they rarely meddle in their trades. If you have a Forex trading plan and actually follow it, there should be no reason to mess around with your trades a lot after they are live. I personally have found that just letting the market run its course is usually the most lucrative forex trade management technique out there.
In the NZDUSD pin bar trade below, we can see this market easily presented us with more than a 2 times risk reward. I personally almost always take a reward of two times my risk, as more often than not, the market is ready to retrace substantially after pushing in one direction long enough to net me 2 times my risk. However, in strong trending markets like in our example trade below, there is usually a good probability you can get a reward of more than 2 times your risk. Indeed, in the example below this NZDUSD trade provided a 5 times risk reward.

Attached Image: nzdusdpin3.jpg

I get a lot of emails about exits and how to manage them. The simple truth is that I almost always set and forget my trades; it’s a rare occasion that I meddle in my trade by closing it out before it hits my stop or by moving my profit target further away. I like to either take the loss or take the profit. Over a longer period of time, this trade management technique will work out in your favor, because you are not acting emotionally. Most traders who meddle in their trades are trying to “control” the market or force their will upon it.
You are far better off just entering your high-probability price action setup and letting the market “do its thing”. You will get better at this and at taking profits from your Forex trades, but it’s not something that will magically happen overnight. It takes a solid understanding of price action and market dynamics as well as putting in the screen time to develop your discretionary price action trading skills. All of this adds up to obtaining a keen “sense” of how to read and trade the raw price action in the market, and this is an art and a skill which will reward you many times over.

Step 12: Controlling yourself after a trade

Finally, we come to the last step of this mini-series on becoming a professional trader, and it is perhaps the most important one:
I know that most of you have had some good trades and made some money in the markets. But, what did you do after your trade? The honest answer to that question is truly what defines a professional trader. Your mindset right after a trade is at its most fragile, because you are likely either feeling a bit euphoric over your winnings or angry and frustrated over your losses. Granted, you should not experience these emotions too intensely if you’ve manage your risk properly, but you will likely still feel them to some degree no matter what, after all, you are risking your hard-earned money.
Whether you win or lose on a trade, you are at the greatest risk to make an emotional trading decision immediately after a trade closes. While there is no miracle-formula for making sure you avoid these emotional trading errors, if you understand and accept the following points you will be far less likely to make them:
â€ĸ If you have just lost on a trade, remember that jumping in the market again to try and “make back” what you lost is an emotional reason for trading, not a logical one. Do not enter another trade right away unless there is a valid price action trade setup that meets the criteria in your trading plan.
â€ĸ If you have just won on a trade, remember that you are not some “perfect” trader who can do no wrong in the markets. Beginning traders tend to get over-confident after a winner or a string of winners, this can cause them to veer of course and “run and gun” rather than trading Forex like a sniper.
â€ĸ Remember, your trading success is not defined by your last trade; rather it is defined by the result of a large series of your trades. To become emotional and react defensively to any one trade is to say that you think your success as a trader hinges on one trade, and it simply does not. You have to learn to take your losses as just a part of doing business in the Forex market.
â€ĸ In regards to taking losses, it will be a lot easier to swallow the inevitable losses if you are only risking an amount per trade that you are truly OK with losing. When you start trading with money that you need for other life expenses, or risking too much per trade, you put yourself at a very great risk for wanting to enter a “revenge” trade after you lose.
â€ĸ Perhaps the best way to control yourself after any one trade is to simply take some time away from trading. Rarely are you going to exit a trade and then get another high-probability opportunity immediately after that. It usually pays to separate yourself from your charts for at least 24 hours after you exit a trade, whether it was a winner or loser. This will give your emotions time to die down and cool off before you begin analyzing the charts gain.

Where to go from hereâ€Ļ

Now that you’ve finished this mini-series on becoming a professional trader, you should have learned a lot and have a deeper understanding of what pro trading is all about. I am not implying that you will be a professional trader just because you read this blog series. You need to understand that becoming a pro trader is the result of months and likely years of disciplined trading and making small steps toward your ultimate goal of professional Forex trading.
The first thing you should aim to do now is to follow all the insight in this series and aim for making small yet consistent gains each month on your trading account. If you are making money each month while managing your risk effectively on every trade and trading like a sniperâ€ĻYOU ARE A SUCCESSFUL TRADER. You don’t need to be a professional / full-time trader right out of the gate to be a winner. Rather, this should be a longer-term goal that will sort of just “happen” if you trade consistently and remain disciplined over a long enough period of time.


------------ Nial Fuller
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The Holy Grail of Forex Trading Money Management

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If you were stranded on a desert island and somehow had access to the internet, a computer, and electricity, and you could only have one Forex trading educational article to read, this would be the article you would want to haveâ€Ļ

A simple fact of Forex trading is that it is a game of probabilities, those traders who learn to view and think about trade setups in terms of risk to reward, are the ones who usually end up making consistent money in the Forex market. There is something to be said for developing your discretionary trading skills, as having a sharpened sense for spotting well defined trade setups at the right place and time is definitely a necessary ingredient to successful trading. However, it is possible to make consistent money even if your discretionary trade setup identification skills are not fully matured yet. Risk to reward setups are what give all traders an equal chance at making consistent money, a thorough understanding of risk to reward and how to view trade setups in terms of possible risk to possible reward, is the closest thing to the “holy grail” of trading, and is one of the most important pieces of the puzzle to consistently profitable trading, second only to having the proper amount of self-discipline and emotional control.


â€ĸ Drawing risk / reward levels


The first thing that all traders should do upon spotting a price action setup, or any trade setup, is calculate the risk they will have to take on in order to give the setup a realistic chance at working out. Traders often make one or two mistakes when it comes to determining risk; they either define the reward first, which is a mistake born out of greed, or they put a stop loss on the setup that is much too close to the entry to give the trade a chance at working out.
When learning to think in probabilities and to view the market in terms of risk to reward, it is necessary to calculate the risk on a trade setup first, then you can calculate the reward as a multiple of the amount you have at risk. By concentrating on the risk first, instead of the reward, you are making yourself more aware of the risk involved on each trade setup, instead of becoming fixated on how big of a reward you might make, as many traders do. This will also turn you into a “risk manager”, rather than a “trader”, the best traders in the world know that consistent trading profits come as a result of managing risk effectively, so consider yourself a manager of risk from now on.
The next thing to do after you have identified a high-quality trade setup and marked the risk level on your chart, is to mark the reward levels as multiples of your risk. You want to draw a line at 1 times your risk, 2 times your risk, and 3 times your risk. These are the reward levels you will mainly concern yourself with, should you choose to employ a trailing stop you can use these 1, 2, and 3 times risk levels to begin the trailing process, see the section on “trailing stops” below for more.

Examples of how to draw risk / reward levels:
First, we identify a high-quality price action trading setup, in the chart below we are looking at the 1hr chart of the EURUSD from this week. A quality 1hr pin bar sell signal formed at a confluent intra-day resistance level and in the direction of the bearish momentum on the daily chart.
Next, we mark our risk level for this setup, in this case the risk is the distance from the low to the high of the pin bar, so we place a stop loss at 1.3656, one pip above the high, the entry is a break of the low, so 1.3611 is our entry level, one pip below the low. The total risk distance for this setup is 45 pips, we will figure 1$ per pip for the examples in this article, so our risk is $45, not 45 pips. Since you can trade various numbers of lots per pip, your actual risk is not calculated in pips, but in dollars, many traders make this mistake. Remember; always calculate your risk and reward in dollars, not in pips, only use pips to mark the risk and reward levels on your charts.

Attached Image: rr1.jpg

Now we can use this measure of 45 pips to mark our 1, 2, and 3 times risk multiples. Since our risk ÂŽ is $45, our 1R multiple is $45, or 2R multiple is $90, and our 3R multiple is $135. Since our stop loss distance is 45 pips, we subtract the 1, 2, and 3 multiples of 45 from our entry point of 1.3611; we then get the levels marked on the chart below. This setup obviously worked out quite nicely as all three risk multiples got hit, for a reward of 1 to 3. It is worth noting that trade setups on the smaller time frames are more likely to hit larger risk multiples since your stop loss will usually be tighter than it will be on a higher time frame. The trade is now set up, time to let the market get to work.

Attached Image: rr2.jpg

In the chart below we are looking the daily Silver market, we can see a quality pin bar fakey combo setup formed with the dominant bullish market momentum. We first marked our risk distance which was 1.13; we then multiply our risk (1.13) by 1, 2 and 3, to get our ÂŽ risk multiple levels. We can see them drawn in on the chart below and also that this setup easily brought traders a risk / reward of 1 to 3 before forming another very nice pin bar strategy that sent prices lower. This example also figured 1$ per pip, or per smallest incremental price movement on silver, this results in $113 risked.

Attached Image: rr3.jpg

â€ĸ Trailing stops

If you decide that you want to try and let a particular trade setup run, you might want to employ a trailing stop strategy with the aid of risk / reward levels. The best way to do this is to mark your risk and reward levels just as described above, but instead of actually entering an order for your reward levels, you leave the trade open, meaning you don’t have a set exit at your pre-defined reward levels. Instead, once the market moves in your favor, you use your pre-defined reward levels to trail your stop loss to, thus leaving the trade open and giving yourself a shot at greater profits, while still locking in some profit and lessening risk.

A common technique to use when trailing stops to risk / reward levels is to trail the stop up to your entry level when the trade is up 1 times or 2 times your risk. You can also trail your stop 50% closer to your entry once you are up 1 times risk if you want to leave the trade more “breathing” room. Many traders will simply keep their stop 1R multiple away, meaning if you are up 1 to 2, you trail your stop up to lock on 1 times your risk, if the market than moves 1 to 3 you trail your stop up to lock in 2 times your risk. This is a solid trailing technique because you are securing profits while at the same time leaving the trade open for a possibility at it running further in your favor. This technique is best used in strong trends. Many traders make the mistake when trailing stops of not properly locking in profits, there is nothing worse than letting a winning trade come all the way back to your entry point because you didn’t lock in 1 or 2 times your risk.

The daily AUDUSD chart below shows an inside bar setup that occurred back in mid-September of this year when the AUDUSD was in the midst of an uptrend. In this example you could have moved your stop to break-even once you were up $108 or 1 times your risk, once you got up 2 times risk you could have locked in 1 times your risk or $108. It looks like the market hit 0.9600 or 3R and then pulled back into 2R, however it came about 1 pip shy of 3R on its first attempt, so you would not have moved your stop up until it cleared 3R a couple days later. At this point you would have 2R or $216 locked in, at this point you could either let the trade run past 3R or move your stop up to lock in 3R or $324. If you moved up to lock in 3R right away you would have got stopped out at 3R by the pin bar on September 5th, had you not locked in 3R you could have eventually made 4 or 5R.

Attached Image: rr41.jpg

â€ĸ How risk / reward can make you a consistently profitable forex trader

Ideally, we want to look for trade setups with a risk / reward of at least 1 to 2, by getting a risk / reward of 1 to 2 on every trade setup, we can lose on well over 50% of our trades and STILL make money. This is why risk / reward is the “holy grail” of trading; if you execute it properly you can make consistent money over a period of time. However, many traders mess it up or limit its power by meddling in their trades once they are live, usually this means they take less than a 1 to 2 profit, and then enter another trade that is lower-probability, and maybe take a loss. Once you start this game of meddling with your trades and interfering with the power of risk reward scenarios, you really put limits on what you can achieve as a forex trader.

To play with the numbers a bit let’s discuss a scenario where you lose on 65% of your trades, but your risk to reward on every trade is 1 to 2. So, out of 100 trades you lose on 65 of them and win on 35 of them, let’s say you risk $100 per trade. This means you lost 65 x $100 = $6500, but since you made 2 times your risk on your winners you made 35 x $200 = $7000. So, after 100 trades you have a profit of $500, this is even after you lost on 65% of your trades! This is an example of the power of risk / reward setups, the trick is that it takes time to play out, most traders do not have the discipline to execute 100 trades flawlessly with a risk / reward of 1 to 2 and suffer through 65 losses and only 35 winners.
--- Nial Fuller
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fibonacci and elliot wave related books chai in bangla

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vai kew jodi fibonacci and elliot wave er books diye opokar koren..jodi boita bangla te hoy tobe aro valo hoy... nasim vai er kisu pdf poresi amar kase osadharon legese.....tar jodi kono fibonacci or elliot wave niye pdf thake tobe amk please share korben..
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Chart Pattern āĻāϰ āĻāύāϏāĻžāχāĻ•ā§āϞ⧋āĻĒ⧇āĻĄāĻŋ⧟āĻž

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āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇

Download Link

http://www.mediafire.com/download/ih2ze1h23kr4a14/Encyclo_Chart.pdf

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āĻāχ āϞ⧇āĻ–āϕ⧇āϰ āĻ…āĻ¨ā§āϝ āĻĻ⧁āχāϟāĻŋ āĻŦāĻ‡ā§Ÿā§‡āϰ āϞāĻŋāĻ™ā§āĻ• āύ⧀āĻšā§‡ āĻĻ⧇āĻ“ā§ŸāĻž āĻšāϞ

āĻŦāχ āύāĻ‚ ā§§

http://bdpips.com/topic/21935-getting-started-in-chart-patterns/page__fromsearch__1

āĻŦāχ āύāĻ‚ ⧍

http://bdpips.com/topic/22104-trading-classic-chart-patterns-thomas-n-bulkowski/page__fromsearch__1

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: : : ā§Š āϟāĻŋ āĻĒā§āϰāϤāĻŋāĻœā§āĻžāĻž : : :

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Attached Image: selfme.JPG




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.........................................................................................................................................āϚāϞāĻŦ⧇
āĻ•āĻŋāĻŦāϰ⧁āϞ āĻŦāĻžāϰ⧀
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āĻĒāĻŋāĻ­āϟ āĻĒāϝāĻŧ⧇āĻ¨ā§āϟ

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āĻĒāĻŋāĻ­āϟ āĻĒāϝāĻŧ⧇āĻ¨ā§āϟ āĻĢāϰ⧇āĻ•ā§āϏ⧇ āϏāĻžāĻĒā§‹āĻ°ā§āϟ āĻāĻŦāĻ‚ āϰ⧇āϜāĻŋāĻŸā§‡āĻ¨ā§āϏ āϞ⧇āϭ⧇āϞ āĻŦ⧇āϰ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰāĻž āĻšāϝāĻŧāĨ¤ āφāϗ⧇āϰ āĻĻāĻŋāύ⧇āϰ āĻĢāϰ⧇āĻ•ā§āϏ āĻŽāĻžāĻ°ā§āϕ⧇āĻŸā§‡āϰ āĻ•ā§āϝāĻžāĻ¨ā§āĻĄā§‡āϞ⧇āϰ āĻšāĻžāχ, āϞ⧋ āĻāĻŦāĻ‚ āĻ•ā§āϞ⧋āϜ āĻĒā§āϰāĻžāχāϏ āĻāϰ āωāĻĒāϰ āĻ­āĻŋāĻ¤ā§āϤāĻŋ āĻ•āϰ⧇ āĻŦāϤāĻŽāĻžāύ āĻĻāĻŋāύ⧇āϰ āϏāĻžāĻĒā§‹āĻ°ā§āϟ āĻāĻŦāĻ‚ āϰ⧇āϜāĻŋāĻŸā§‡āĻ¨ā§āϏ āĻŦ⧇āϰ āĻ•āϰāĻž āĻšāϝāĻŧāĨ¤ āϏāĻĒā§āϤāĻžāĻšā§‡āϰ āĻĒāĻŋāĻ­āϟ āĻĒāϝāĻŧ⧇āĻ¨ā§āϟ āĻŦ⧇āϰ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āφāϗ⧇āϰ āϏāĻĒā§āϤāĻžāĻšā§‡āϰ āĻĢāϰ⧇āĻ•ā§āϏ āĻŽāĻžāĻ°ā§āϕ⧇āĻŸā§‡āϰ āĻ•ā§āϝāĻžāĻ¨ā§āĻĄā§‡āϞ⧇āϰ āĻšāĻžāχ, āϞ⧋ āĻāĻŦāĻ‚ āĻ•ā§āϞ⧋āϜ āĻĒā§āϰāĻžāχāϏ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰāĻž āĻšāϝāĻŧ, āĻ āĻŋāĻ• āϤ⧇āĻŽāύāĻŋ āĻŽāĻžāϏ⧇āϰ āĻĒāĻŋāĻ­āϟ āĻĒāϝāĻŧ⧇āĻ¨ā§āϟ āĻŦ⧇āϰ āĻ•āϰāĻž āĻšāϝāĻŧ āφāϗ⧇āϰ āĻŽāĻžāϏ⧇āϰ āωāĻĒāϰ āĻ­āĻŋāĻ¤ā§āϤāĻŋ āĻ•āϰ⧇āĨ¤ āϝāĻžāϰāĻž āĻĄā§‡ āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚ āĻ¸ā§āĻŸā§āĻ°ā§āϝāĻžāĻŸā§‡āϜāĻŋ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰ⧇ āϤāĻžāĻĻ⧇āϰ āϜāĻ¨ā§āϝ daily, weekly and monthly āĻĒāĻŋāĻ­āϟ āĻĒāϝāĻŧ⧇āĻ¨ā§āϟ āϖ⧁āĻŦāχ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖāĨ¤

āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇



āĻ¸ā§āĻŸā§āϝāĻžāĻ¨ā§āĻĄāĻžāĻĄ āĻĒāĻŋāĻ­āϟ āĻĒāϝāĻŧ⧇āĻ¨ā§āϟ āĻŦ⧇āϰ āĻ•āϰāĻž:-


Pivot Point (PP) = (High + Low + Close)/3 [āφāϗ⧇āϰ āĻĻāĻŋāύ⧇āϰ (āĻšāĻžāχ + āϞ⧋ + āĻ•ā§āϞ⧋āϜ)āĻĒā§āϰāĻžāχāϏ / ā§Š]
Support 1 (S1) = (PP x 2) – High [(āĻĒāĻŋāĻ­āϟ āĻĒāϝāĻŧ⧇āĻ¨ā§āϟ x ⧍) – āĻšāĻžāχ āĻĒā§āϰāĻžāχāϏ]
Support 2 (S2) = PP – (High – Low) [ āĻĒāĻŋāĻ­āϟ āĻĒāϝāĻŧ⧇āĻ¨ā§āϟ - (āĻšāĻžāχ āĻĒā§āϰāĻžāχāϏ – āϞ⧋ āĻĒā§āϰāĻžāχāϏ)]
Support 3 (S3) = Low – 2 (High – PP) [ āϞ⧋ āĻĒā§āϰāĻžāχāϏ – ⧍(āĻšāĻžāχ āĻĒā§āϰāĻžāχāϏ – āϞ⧋ āĻĒā§āϰāĻžāχāϏ)]
Resistance 1 (R1) = (PP x 2) – Low [ (āĻĒāĻŋāĻ­āϟ āĻĒāϝāĻŧ⧇āĻ¨ā§āϟ x āĻšāĻžāχ āĻĒā§āϰāĻžāχāϏ)– āϞ⧋ āĻĒā§āϰāĻžāχāϏ]
Resistance 2 (R2) = PP + (High – Low) [ āĻĒāĻŋāĻ­āϟ āĻĒāϝāĻŧ⧇āĻ¨ā§āϟ + (āĻšāĻžāχ āĻĒā§āϰāĻžāχāϏ – āϞ⧋ āĻĒā§āϰāĻžāχāϏ) ]
Resistance 3 (R3) = High + 2 (PP - Low) [ āĻšāĻžāχ āĻĒā§āϰāĻžāχāϏ + ⧍(āĻĒāĻŋāĻ­āϟ āĻĒāϝāĻŧ⧇āĻ¨ā§āϟ – āϞ⧋ āĻĒā§āϰāĻžāχāϏ)]

Abbreviations clarification:

PP — The central axis (any price can perform as it);
R1, R2, R3 — The 1st, 2nd and 3rd levels of Resistance;
S1, S2, S3 — The 1st, 2nd and 3rd levels of Support;
HIGH — The max price in the Previous Period of the Indicator;(āφāϗ⧇āϰ āϏāĻ°ā§āĻŦā§‹āĻšā§āϚ āĻĒā§āϰāĻžāχāϏ)
LOW — The min price in the previous period of Indicator; (āφāϗ⧇āϰ āϏāĻ°ā§āĻŦāύāĻŋāĻŽā§āύ āĻĒā§āϰāĻžāχāϏ)
CLOSE — The closing price in the Previous Period of Indicator. (āφāϗ⧇āϰ āĻ•ā§āϞ⧋āϜāĻŋāĻ‚ āĻĒā§āϰāĻžāχāϏ)

āωāĻĻāĻžāĻšāϰāĻŖ:- āφāĻŽāϰāĻž āĻĄā§‡āχāϞāĻŋ āĻĒāĻŋāĻ­āϟ āĻĒāϝāĻŧ⧇āĻ¨ā§āϟ āĻŦ⧇āϰ āĻ•āϰāĻŦ, āϏ⧇āĻšā§‡āϤ⧁ āϧāϰāĻŋ āφāϗ⧇āϰ āĻĻāĻŋāύ⧇āϰ āĻŽāĻžāĻ°ā§āϕ⧇āϟ āĻĒā§āϰāĻžāχāϏ⧇āϰ āĻšāĻžāχ āĻĒā§āϰāĻžāχāϏ 1.3438, āϞ⧋ āĻĒā§āϰāĻžāχāϏ 1.3318 āĻāĻŦāĻ‚ āĻ•ā§āϞ⧋āϜāĻŋāĻ‚ āĻĒā§āϰāĻžāχāϏ āĻ›āĻŋāϞ 1.3368 āĨ¤

āϤāĻžāĻšāϞ⧇ āωāĻĒāϰ⧇āϰ āύāĻŋāϝāĻŧāĻŽ āĻ…āύ⧁āϝāĻžāϝāĻŧā§€-

Pivot Point (P) = (1.3438 +1.3318 +1.3368)/3 = 1.3375
Support 1 (S1) = (1.3375 x 2) – 1.3438 = 1.3312
Support 2 (S2) = 1.3375 – (1.3438 – 1.3318) = 1.3255
Support 3 (S3) = 1.3318 – 2 (1.3438 – 1.3375) = 1.3192
Resistance 1 (R1) = (1.3375 x 2) – 1.3318 = 1.3432
Resistance 2 (R2) = 1.3375 + (1.3438 –1.3318) = 1.3495
Resistance 3 (R3) = 1.3438 + 2 (1.3375 – 1.3318) = 1.3552


āĻĒā§āϰāĻžāĻĒā§āϤ āĻĢāϞāĻžāĻĢāϞ-

Pivot Point- 1.3375,
S1- 1.3312,
S2- 1.3255,
S3- 1.3192
R1- 1.3432
R2- 1.3495
R3- 1.3552

āĻŦāĻŋ:āĻĻā§āϰ: āĻ āĻŋāĻ• āϤ⧇āĻŽāύāĻŋ weekly pivot āĻāĻŦāĻ‚ monthly pivot āĻŦ⧇āϰ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āφāϗ⧇āϰ weekly āĻāĻŦāĻ‚ monthly āĻ•ā§āϝāĻžāĻ¨ā§āĻĄāϞ⧇āϰ āĻšāĻžāχ, āϞ⧋ āĻāĻŦāĻ‚ āĻ•ā§āϞ⧋āϜāĻŋāĻ‚ āĻĒā§āϰāĻžāχāϏ āĻĻā§āĻŦāĻžāϰāĻž weekly and monthly āĻĒāĻŋāĻ­āϟ āĻĒāϝāĻŧ⧇āĻ¨ā§āϟ āĻŦ⧇āϰ āĻ•āϰāϤ⧇ āĻšāĻŦ⧇āĨ¤


āύāϤ⧁āύ āĻĢāϰ⧇āĻ•ā§āϏ āĻ—ā§āϰ⧁āĻĒ:- Forex Mentor Bangladesh (FXMBD)
↧
↧

EURUSD - āĻ āϏāĻĒā§āϤāĻžāĻšā§‡āϰ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āύāĻŋāωāϜāϗ⧁āϞ⧋

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āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇



āĻŦā§āϝāĻžāĻ‚āĻ• āĻšāϞāĻŋāĻĄā§‡ - āĻĢā§āϰāĻžāĻ¨ā§āϏ, āĻ•āĻžāύāĻžāĻĄāĻž āĻāĻŦāĻ‚ āφāĻŽā§‡āϰāĻŋāĻ•āĻž (āϏ⧋āĻŽāĻŦāĻžāϰ)

āϏ⧋āĻŽāĻŦāĻžāϰ āĻĢā§āϰāĻžāĻ¨ā§āϏ, āĻ•āĻžāύāĻžāĻĄāĻž āĻāĻŦāĻ‚ āφāĻŽā§‡āϰāĻŋāĻ•āĻžāϝāĻŧ āĻŦā§āϝāĻžāĻ‚āĻ• āĻŦāĻ¨ā§āϧ āĻĨāĻžāĻ•āĻŦ⧇āĨ¤ āϤāĻžāχ āĻĒā§āϰāĻžāχāϏ āĻŽā§āĻ­āĻŽā§‡āĻ¨ā§āϟ āϤ⧁āϞāύāĻžāĻŽā§āϞāĻ•āĻ­āĻžāĻŦ⧇ āĻ•āĻŽ āĻšāϤ⧇ āĻĒāĻžāϰ⧇āĨ¤

āχāϤāĻžāϞāĻŋāϝāĻŧāĻžāύ āχāĻ¨ā§āĻĄāĻžāĻ¸ā§āĻŸā§āϰāĻŋāϝāĻŧāĻžāϞ āφāωāϟāĻĒ⧁āϟ (āϏ⧋āĻŽāĻŦāĻžāϰ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āϏāĻŽāϝāĻŧ āĻĻ⧁āĻĒ⧁āϰ ā§Š āϟāĻžāϝāĻŧ)

āĻ…āĻĒā§āϰāĻ¤ā§āϝāĻžāĻļāĻŋāϤāĻ­āĻžāĻŦ⧇āχ āϟāĻžāύāĻž āĻĻā§āĻŦāĻŋāϤ⧀āϝāĻŧ āĻŽāĻžāϏ⧇āϰ āϜāĻ¨ā§āϝ āĻ–āĻžāϰāĻžāĻĒ āĻāϞ⧋ ‘āχāϟāĻžāϞāĻŋāϝāĻŧāĻžāύ āχāĻ¨ā§āĻĄāĻžāĻ¸ā§āĻŸā§āϰāĻŋāϝāĻŧāĻžāϞ āφāωāϟāĻĒ⧁āĻŸâ€™ āϰāĻŋāĻĒā§‹āĻ°ā§āϟāĨ¤ āϤāĻŦ⧇ āϜ⧁āϞāĻžāχ āĻŽāĻžāϏ⧇ āϤāĻž ā§§ āĻļāϤāĻžāĻ‚āĻļ āĻ•āĻŽā§‡ āϗ⧇āϞ⧇āĻ“ āĻāĻŦāĻžāϰ āĻ•āĻŽā§‡āϛ⧇ ā§Ļ.ā§Š āĻļāϤāĻžāĻ‚āĻļ, āϝāĻĻāĻŋāĻ“ āĻĒā§āϰāĻ¤ā§āϝāĻžāĻļāĻž āĻ›āĻŋāϞ āϤāĻž ā§Ļ.ā§Ŧ āĻļāϤāĻžāĻ‚āĻļ āĻŦāĻžāĻĄāĻŧāĻŦ⧇āĨ¤ āχāϤāĻžāϞāĻŋāϰ āĻ…āĻ°ā§āĻĨāύ⧀āϤāĻŋāϰ āĻĻā§€āĻ°ā§āϘāĻĻāĻŋāύ⧇āϰ āĻāχ āĻĻ⧁āϰāĻžāĻŦāĻ¸ā§āĻĨāĻžāϰ āĻ•āĻžāϰāύ⧇, āĻ…āύ⧇āϕ⧇ āϭ⧁āϞ⧇āχ āϝ⧇āϤ⧇ āĻŦāϏ⧇āϛ⧇ āϝ⧇ āĻĻ⧇āĻļāϟāĻŋ, āϜāĻžāĻ°ā§āĻŽāĻžāύāĻŋ āĻāĻŦāĻ‚ āĻĢā§āϰāĻžāĻ¨ā§āϏ⧇āϰ āĻĒāϰāĻĒāϰāχ āχāωāϰ⧋āĻĒāĻŋāϝāĻŧāĻžāύ āχāωāύāĻŋāϝāĻŧāύ⧇āϰ āϤ⧃āϤ⧀āϝāĻŧ āĻŦ⧃āĻšāĻ¤ā§āϤāĻŽ āĻ…āĻ°ā§āĻĨāύ⧀āϤāĻŋāĨ¤ āϝāĻžāχ āĻšā§‹āĻ•, āφāĻļāĻž āĻ•āϰāĻž āĻšāĻšā§āϛ⧇ āϝ⧇, āϏ⧇āĻĒā§āĻŸā§‡āĻŽā§āĻŦāϰ⧇ āϤāĻž āĻŦ⧇āĻĄāĻŧ⧇ ā§Ļ.⧍ āĻļāϤāĻžāĻ‚āĻļ⧇ āĻĻāĻžāρāĻĄāĻŧāĻžāĻŦ⧇ āĨ¤ āϝāĻĻāĻŋ āύāĻŋāωāϜ āϰ⧇āϜāĻžāĻ˛ā§āϟ ā§Ļ.⧍ āĻļāϤāĻžāĻ‚āĻļ āĻĨ⧇āϕ⧇ āĻŦ⧇āĻļāĻŋ āφāϏ⧇, āϤāĻŦ⧇ āϤāĻž āχāωāϰ⧋āϰ āϜāĻ¨ā§āϝ āĻ­āĻžāϞ⧋ āĻšāĻŦ⧇ āφāĻļāĻž āĻ•āϰāĻž āϝāĻžāĻšā§āϛ⧇āĨ¤

āύāϭ⧇āĻŽā§āĻŦāϰ āĻŽāĻžāϏ, āĻ•āĻŋāĻ¨ā§āϤ⧁ āϰāĻŋāĻĒā§‹āĻ°ā§āϟ āϏ⧇āĻĒā§āĻŸā§‡āĻŽā§āĻŦāϰ⧇āϰ āϕ⧇āύ? āĻ•āĻžāϰāύ āĻĒā§āϰāϤāĻŋ āĻŽāĻžāϏ⧇āϰ āϰāĻŋāĻĒā§‹āĻ°ā§āϟ āĻĒā§āϰāĻ•āĻžāĻļ āĻ•āϰāĻž āĻšāϝāĻŧ āĻŽāĻžāϏ āĻļ⧇āώ āĻšāĻ“āϝāĻŧāĻžāϰ ā§Ēā§Ļ āĻĻāĻŋāύ āĻĒāϰāĨ¤ āϏ⧇ āĻšāĻŋāϏāĻžāĻŦ⧇āχ āϤāĻž āφāϜ āϏ⧋āĻŽāĻŦāĻžāϰ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āϏāĻŽāϝāĻŧ āĻĻ⧁āĻĒ⧁āϰ ā§Š āϟāĻžāϝāĻŧ āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻšāĻŦ⧇āĨ¤ āĻĒāϰāĻŦāĻ°ā§āϤ⧀ āύāĻŋāωāϜ āϰāĻŋāĻĒā§‹āĻ°ā§āϟ āφāϏāĻŦ⧇ ⧝ āĻĄāĻŋāϏ⧇āĻŽā§āĻŦāϰāĨ¤

āϜāĻžāĻ°ā§āĻŽāĻžāύ āĻĢ⧇āĻĄāĻžāϰ⧇āϞ āĻŦā§āϝāĻžāĻ‚āϕ⧇āϰ āĻĒā§āϰ⧇āϏāĻŋāĻĄā§‡āĻ¨ā§āϟ āĻœā§‡āύāϏ āĻ­āĻžāχāĻĄāĻŽā§āϝāĻžāύ⧇āϰ āĻŦāĻ•ā§āϤāĻŦā§āϝ (āϏ⧋āĻŽāĻŦāĻžāϰ, āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āϏāĻŽāϝāĻŧ āϰāĻžāϤ ā§§ā§§ āϟāĻžāϝāĻŧ)

āϏ⧁āχāϜāĻžāϰāĻ˛ā§āϝāĻžāĻ¨ā§āĻĄā§‡āϰ āĻŦāĻžāϛ⧇āϞ⧇ āφāϜ āϰāĻžāϤ ā§§ā§§ āϟāĻžāϝāĻŧ (āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āϏāĻŽāϝāĻŧ) āĻŦāĻ•ā§āϤāĻŦā§āϝ āϰāĻžāĻ–āĻŦ⧇āύ āϜāĻžāĻ°ā§āĻŽāĻžāύ āĻĢ⧇āĻĄāĻžāϰ⧇āϞ āĻŦā§āϝāĻžāĻ‚āϕ⧇āϰ āĻĒā§āϰ⧇āϏāĻŋāĻĄā§‡āĻ¨ā§āϟ āĻœā§‡āύāϏ āĻ­āĻžāχāĻĄāĻŽā§āϝāĻžāύāĨ¤ āϤāĻŋāύāĻŋ āĻšāĻ•āĻŋāĻļ āϏ⧁āϰ⧇ āĻ•āĻĨāĻž āĻŦāϞāϞ⧇ āϤāĻž āχāωāϰ⧋āϕ⧇ āĻ•āĻŋāϛ⧁āϟāĻž āĻļāĻ•ā§āϤāĻŋāĻļāĻžāϞ⧀ āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧇āĨ¤

āϜāĻžāĻ°ā§āĻŽāĻžāύ āϏāĻŋ.āĻĒāĻŋ.āφāχ (āĻŽāĻ™ā§āĻ—āϞāĻŦāĻžāϰ, āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āϏāĻŽāϝāĻŧ āĻĻ⧁āĻĒ⧁āϰ ā§§ āϟāĻžāϝāĻŧ)

āĻ•āύāϜ⧁āωāĻŽāĻžāϰ āĻĒā§āϰāĻžāχāϏ āχāύāĻĄā§‡āĻ•ā§āϏ āĻŦāĻž āϏāĻŋāĻĒāĻŋāφāχ āĻšāĻšā§āϛ⧇ āĻāĻ•āϟāĻŋ āĻŽā§‚āĻ˛ā§āϝāϏ⧂āϚāĻ• āϝ⧇āϟāĻž āύāĻŋāĻ°ā§āĻĻ⧇āĻļ āĻ•āϰ⧇ āϕ⧋āύ āĻāĻ• āϏāĻŽāϝāĻŧ⧇ āύāĻŋāĻ°ā§āϧāĻžāϰāĻŋāϤ āĻŽā§‚āĻ˛ā§āϝ⧇āϰ āĻŦāĻŋāĻĒāϰ⧀āϤ⧇ āĻŦāĻ°ā§āϤāĻŽāĻžāύ⧇ āĻĻā§āϰāĻŦā§āϝāĻŽā§‚āĻ˛ā§āϝ āĻ“ āϏ⧇āĻŦāĻžāϰ āĻ–āϰāϚ āĻŦ⧃āĻĻā§āϧāĻŋ āĻĒ⧇āϞ⧋ āύāĻž āĻ•āĻŽāϞāĨ¤ āϏāĻšāϜ āĻ•āĻĨāĻžāϝāĻŧ, āφāϗ⧇āϰ āĻĨ⧇āϕ⧇ āĻŦāĻ°ā§āϤāĻŽāĻžāύ⧇ āĻŽā§‚āĻ˛ā§āϝāĻšā§āϰāĻžāϏ āύāĻž āĻŽā§āĻĻā§āϰāĻžāĻ¸ā§āĻĢā§€āϤāĻŋ āĻšāϞ, āϏ⧇āϟāĻž āĻĒāϰāĻŋāĻŽāĻžāĻĒ⧇āϰ āĻāĻ•āϟāĻŋ āϏāĻšāϜ āωāĻĒāĻžāϝāĻŧ āĻāχ āϏ⧂āϚāĻ•āĨ¤ āϏāĻžāϧāĻžāϰāĻŖāϤ āĻŽā§āĻĻā§āϰāĻžāĻ¸ā§āĻĢā§€āϤāĻŋ āĻŦāĻžāĻĄāĻŧāϞ⧇ āϤāĻž āύāĻŋāϝāĻŧāĻ¨ā§āĻ¤ā§āϰāĻŖ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āϏ⧁āĻĻ⧇āϰ āĻšāĻžāϰ āĻŦāĻžāĻĄāĻŧāĻžāύ⧋ āĻšāϝāĻŧ, āϝāĻž āĻ•āĻžāϰ⧇āĻ¨ā§āϏāĻŋāϰ āϜāĻ¨ā§āϝāĻ“ āĻ­āĻžāϞ⧋āĨ¤ āϤāĻžāχ, āĻĒā§āϰāĻ¤ā§āϝāĻžāĻļāĻžāϰ āĻĨ⧇āϕ⧇ āϰāĻŋāĻĒā§‹āĻ°ā§āϟ āĻ­āĻžāϞ⧋ āφāϏāϞ⧇ āχāωāϰ⧋ āĻļāĻ•ā§āϤāĻŋāĻļāĻžāϞ⧀ āĻšāĻŦ⧇, āĻāĻŽāύāϟāĻžāχ āφāĻļāĻž āĻ•āϰāĻž āϝāĻžāϝāĻŧāĨ¤

āĻāχ āύāĻŋāωāϜāϟāĻž āϝ⧇ āĻŦ⧇āĻļ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ, āϤāĻž āĻŦāϞāĻžāϰ āĻ…āĻĒ⧇āĻ•ā§āώāĻž āϰāĻžāϖ⧇āύāĻžāĨ¤ āϕ⧇āύāύāĻž, āϏāĻžāĻŽā§āĻĒā§āϰāϤāĻŋāĻ• āϏāĻŽāϝāĻŧ⧇ āχāωāϰ⧋āĻĒ⧇āϰ āϕ⧇āĻ¨ā§āĻĻā§āϰāĻŋāϝāĻŧ āĻŦā§āϝāĻžāĻ‚āĻ• āχāϏāĻŋāĻŦāĻŋāϰ āϏ⧁āĻĻ⧇āϰ āĻšāĻžāϰ āĻ•āĻŽāĻžāύ⧋āϰ āĻāĻ•āϟāĻŋ āĻŦāĻĄāĻŧ āĻ•āĻžāϰāύ āϜāĻžāĻ°ā§āĻŽāĻžāύāĻŋāϤ⧇ āϏāĻŋ.āĻĒāĻŋ.āφāχ āĻ•ā§āϰāĻŽāĻžāĻ—āϤ āĻ•āĻŽāϤ⧇ āĻĨāĻžāĻ•āĻžāĨ¤ āĻāĻŦāĻžāϰāĻ“ āϏāĻŋ.āĻĒāĻŋ.āφāχ ā§Ļ.⧍ āĻļāϤāĻžāĻ‚āĻļ āĻ•āĻŽāĻŦ⧇, āĻāĻŽāύāϟāĻžāχ āφāĻļāĻ™ā§āĻ•āĻž āĻ•āϰāĻž āĻšāĻšā§āϛ⧇āĨ¤ āϰāĻŋāĻĒā§‹āĻ°ā§āϟ āĻĒā§āϰāĻ¤ā§āϝāĻžāĻļāĻžāϰ āĻĨ⧇āϕ⧇āĻ“ āĻ–āĻžāϰāĻžāĻĒ āφāϏāϞ⧇ āĻĻ⧁āĻ°ā§āĻŦāϞ āφāϏāϞ⧇ āχāωāϰ⧋ āĻĻ⧁āĻ°ā§āĻŦāϞ āĻšāĻŦ⧇āĨ¤

āχāωāϰ⧋āĻœā§‹āύ⧇āϰ āχāĻ¨ā§āĻĄāĻžāĻ¸ā§āĻŸā§āϰāĻŋāϝāĻŧāĻžāϞ āĻĒā§āϰ⧋āĻĄāĻžāĻ•āĻļāύ āϰāĻŋāĻĒā§‹āĻ°ā§āϟ (āĻŦ⧁āϧāĻŦāĻžāϰ, āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āϏāĻŽāϝāĻŧ āĻŦāĻŋāĻ•āĻžāϞ ā§Ē āϟāĻž)

āĻŦāĻŋāĻļā§āϞ⧇āώāĻ•āĻĻ⧇āϰ āĻĒā§āϰāĻ¤ā§āϝāĻžāĻļāĻžāϕ⧇ āĻ›āĻžāĻĒāĻŋāϝāĻŧ⧇āχ āĻ…āĻ—āĻžāĻ¸ā§āϟ āĻŽāĻžāϏ⧇ āĻĒā§āϰāĻ¤ā§āϝāĻžāĻļāĻžāϰ āĻĨ⧇āϕ⧇āĻ“ (ā§Ļ.ā§Ž āĻļāϤāĻžāĻ‚āĻļ) āĻ­āĻžāϞ⧋ āĻāϏ⧇āĻ›āĻŋāϞ āχāωāϰ⧋āĻœā§‹āύ⧇āϰ āχāĻ¨ā§āĻĄāĻžāĻ¸ā§āĻŸā§āϰāĻŋāϝāĻŧāĻžāϞ āĻĒā§āϰ⧋āĻĄāĻžāĻ•āĻļāύ āϰāĻŋāĻĒā§‹āĻ°ā§āϟ (ā§§ āĻļāϤāĻžāĻ‚āĻļ)āĨ¤ āϧ⧀āϰ⧇ āϧ⧀āϰ⧇ āĻŽāĻ¨ā§āĻĻāĻž āĻ•āĻžāϟāĻŋāϝāĻŧ⧇ āωāĻ āϛ⧇ āχāωāϰ⧋ āĻœā§‹āύāĨ¤ āφāϰ āϤāĻž āĻ…āĻŦā§āϝāĻžāĻšāϤ āϰāĻžāĻ–āĻžāϰ āϜāĻ¨ā§āϝāχ āχāϏāĻŋāĻŦāĻŋ āĻĒā§āϰ⧇āϏāĻŋāĻĄā§‡āĻ¨ā§āϟ āĻŽāĻžāϰāĻŋāĻ“ āĻĻā§āϰāĻžāϘāĻŋ āĻ˜ā§‹āώāύāĻž āĻĻāĻŋāϝāĻŧ⧇āϛ⧇āύ āϝ⧇, āĻĻā§€āĻ°ā§āϘ āϏāĻŽāϝāĻŧ⧇āϰ āϜāĻ¨ā§āϝ āϕ⧇āĻ¨ā§āĻĻā§āϰ⧀āϝāĻŧ āĻŦā§āϝāĻžāĻ‚āϕ⧇āϰ āϏ⧁āĻĻ⧇āϰ āĻšāĻžāϰ āϏāĻ°ā§āĻŦāύāĻŋāĻŽā§āύ āĻĒāĻ°ā§āϝāĻžāϝāĻŧ⧇ āϰāĻžāĻ–āĻž āĻšāĻŦ⧇āĨ¤ āϤāĻŦ⧇, āĻāϤ āĻ•āĻŋāϛ⧁ āϏāĻ¤ā§āĻ¤ā§āĻŦ⧇āĻ“ āĻāĻŦāĻžāϰ āϧāĻžāϰāύāĻž āĻ•āϰāĻž āĻšāĻšā§āϛ⧇ , ā§Ļ.⧍ āĻļāϤāĻžāĻ‚āĻļ āĻ•āĻŽā§‡ āϝ⧇āϤ⧇ āĻĒāĻžāϰ⧇ āχāĻ¨ā§āĻĄāĻžāĻ¸ā§āĻŸā§āϰāĻŋāϝāĻŧāĻžāϞ āĻĒā§āϰ⧋āĻĄāĻžāĻ•āĻļāύ āĨ¤

āĻĢā§āϰ⧇āĻžā§āϚ āύāύ āĻĢāĻžāĻ°ā§āĻŽ āĻĒ⧇ āϰ⧋āϞ (āĻŦ⧃āĻšāĻ¸ā§āĻĒāϤāĻŋāĻŦāĻžāϰ, āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āϏāĻŽāϝāĻŧ āĻĻ⧁āĻĒ⧁āϰ ā§§:ā§Ēā§Ģ āϟāĻž)

āϰ⧇āϟāĻŋāĻ‚ āϏāĻ‚āĻ¸ā§āĻĨāĻž S&P āĻ•āĻŽāĻŋāϝāĻŧ⧇ āĻĻāĻŋāϝāĻŧ⧇āϛ⧇ āĻĢā§āϰāĻžāĻ¨ā§āϏ⧇āϰ āĻ‹āĻŖāĻŽāĻžāύ āϰ⧇āϟāĻŋāĻ‚āĨ¤ āϤāĻžāϰ āĻ•āĻžāϰāύāĻ“ āφāϛ⧇āĨ¤ āĻŦāĻ›āϰ⧇āϰ āĻļ⧁āϰ⧁ āĻĨ⧇āϕ⧇āχ āĻĢā§āϰāĻžāĻ¨ā§āϏ⧇āϰ āύāύ āĻĢāĻžāĻ°ā§āĻŽ āĻĒ⧇ āϰ⧋āϞ āϰāĻŋāĻĒā§‹āĻ°ā§āϟ (āύāύ āĻĢāĻžāĻ°ā§āĻŽ āĻĒ⧇ āϰ⧋āϞ āϰāĻŋāĻĒā§‹āĻ°ā§āϟ āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āφāϰ⧋ āϜāĻžāύāϤ⧇ āĻāĻ–āĻžāύ⧇ āĻ•ā§āϞāĻŋāĻ• āĻ•āϰ⧁āύ) āĻ–āĻžāϰāĻžāĻĒ āφāϏāϛ⧇āĨ¤ āĻĒā§āϰāϤāĻŋ ā§Š āĻŽāĻžāϏ āĻĒāϰ āĻĒāϰ āϝ⧇ āϰāĻŋāĻĒā§‹āĻ°ā§āϟ āφāϏāϛ⧇, āϤāĻž āĻĨ⧇āϕ⧇ āĻĻ⧇āĻ–āĻž āϝāĻžāĻšā§āϛ⧇, āĻŦāĻ›āϰ⧇āϰ āĻĒā§āϰāĻĨāĻŽ āϤāĻŋāύ āĻŽāĻžāϏ⧇ āϚāĻžāϕ⧁āϰ⧀āϰ āĻŦāĻžāϜāĻžāϰ āĻ•āĻŽā§‡āĻ›āĻŋāϞ ā§Ļ.ā§§%, āĻĒāϰāĻŦāĻ°ā§āϤ⧀ ā§Š āĻŽāĻžāϏ⧇ āφāϰ⧋ ā§Ļ.⧍%āĨ¤ āϜ⧁āϞāĻžāχ – āϏ⧇āĻĒā§āĻŸā§‡āĻŽā§āĻŦāϰ, āĻ…āĻ°ā§āĻĨāĻžā§Ž āϤ⧃āϤ⧀āϝāĻŧ āĻĒā§āϰāĻžāĻ¨ā§āϤāĻŋāϕ⧇āĻ“ āĻāĻ•āχ āĻ…āĻŦāĻ¸ā§āĻĨāĻž āĻŦāĻšāĻžāϞ āĻĨāĻžāĻ•āĻŦ⧇, āĻāĻŽāύāϟāĻžāχ āĻ…āύ⧁āĻŽāĻžāύ āĻ•āϰāĻž āĻšāĻšā§āϛ⧇āĨ¤ āϤāĻžāχ āĻāĻŦāĻžāϰ⧇āϰ āĻĒā§āϰāĻ¤ā§āϝāĻžāĻļāĻžāĻ“ āĻ‹āĻŖāĻžāĻ¤ā§āĻŽāĻ•, -ā§Ļ.⧍ āĻļāϤāĻžāĻ‚āĻļāĨ¤ āĻĒā§āϰāĻ¤ā§āϝāĻžāĻļāĻžāϰ āĻĨ⧇āϕ⧇ āĻ­āĻžāϞ⧋ āφāϏāϞ⧇ āχāωāϰ⧋ āĻļāĻ•ā§āϤāĻŋāĻļāĻžāϞ⧀ āĻšāĻŦ⧇, āĻ…āĻ¨ā§āϝāĻĨāĻžāϝāĻŧ āĻĻ⧁āĻ°ā§āĻŦāϞ āĻšāĻŦ⧇āĨ¤

āχāϏāĻŋāĻŦāĻŋ āĻŽāĻžāϏāĻŋāĻ• āĻŦ⧁āϞ⧇āϟāĻŋāύ (āĻŦ⧃āĻšāĻ¸ā§āĻĒāϤāĻŋāĻŦāĻžāϰ, āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āϏāĻŽāϝāĻŧ āĻŦāĻŋāĻ•āĻžāϞ ā§Š āϟāĻžāϝāĻŧ)

āĻŦāĻ°ā§āϤāĻŽāĻžāύ āĻāĻŦāĻ‚ āĻ­āĻŦāĻŋāĻˇā§āĻ¯ā§Ž āĻ…āĻ°ā§āĻĨāύ⧀āϤāĻŋāϰ āωāĻĒāϰ āχāϏāĻŋāĻŦāĻŋāϰ āĻĻ⧃āĻˇā§āϟāĻŋāĻ­āĻ™ā§āĻ—āĻŋ āĻāĻŦāĻ‚ āχāĻ¨ā§āϟāĻžāϰ⧇āĻ¸ā§āϟ āϰ⧇āϟ āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āϤāĻĨā§āϝ āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻšāϝāĻŧ āĻāχ āĻŦ⧁āϞ⧇āϟāĻŋāύ⧇āĨ¤ āĻĻā§āϰāĻžāϘāĻŋ āϜāĻžāύāĻŋāϝāĻŧ⧇āϛ⧇āύ āχāĻ¨ā§āϟāĻžāϰ⧇āĻ¸ā§āϟ āϰ⧇āϟ āφāϰāĻ“ āĻĻā§€āĻ°ā§āϘ āϏāĻŽāϝāĻŧ⧇āϰ āϜāĻ¨ā§āϝ āĻ•āĻŽ āĻĨāĻžāĻ•āĻŦ⧇ āĻāĻŦāĻ‚ ⧍ā§Ļā§§ā§Ē āϏāĻžāϞ⧇ āχāωāϰ⧋āĻœā§‹āύ⧇ āĻ¸ā§āĻĨāĻŋāϤāĻŋāĻļā§€āϞāϤāĻž āĻĢāĻŋāϰ⧇ āφāϏāĻŦ⧇āĨ¤

āχāωāϰ⧋āĻ—ā§āϰ⧁āĻĒ āĻŽā§€āϟāĻŋāĻ‚ (āĻŦ⧃āĻšāĻ¸ā§āĻĒāϤāĻŋāĻŦāĻžāϰ)

āĻŦ⧃āĻšāĻ¸ā§āĻĒāϤāĻŋāĻŦāĻžāϰ⧇āϰ āĻŽāĻžāĻ°ā§āϕ⧇āϟ āĻŽā§āĻ­āĻŽā§‡āĻ¨ā§āĻŸā§‡ āĻāĻ•āϟāĻŋ āĻŦāĻĄāĻŧ āĻ­ā§‚āĻŽāĻŋāĻ•āĻž āϰāĻžāĻ–āĻŦ⧇ āχāωāϰ⧋āĻ—ā§āϰ⧁āĻĒ⧇āϰ āĻŽāĻŋāϟāĻŋāĻ‚, āϝ⧇āĻ–āĻžāύ⧇ āĻ…āĻ‚āĻļāĻ—ā§āϰāĻšāĻŖ āĻ•āϰāĻŦ⧇āύ āĻ•āϰāĻŦ⧇āύ āχāωāϰ⧋āĻ—ā§āϰ⧁āĻĒ āĻĒā§āϰ⧇āϏāĻŋāĻĄā§‡āĻ¨ā§āϟ, āχāϏāĻŋāĻŦāĻŋāϰ āĻĒā§āϰ⧇āϏāĻŋāĻĄā§‡āĻ¨ā§āϟ āĻĻā§āϰāĻžāϘāĻŋ āĻāĻŦāĻ‚ āχāωāϰ⧋ āĻĻ⧇āĻļāϗ⧁āϞ⧋āϰ āĻ…āĻ°ā§āĻĨāĻŽāĻ¨ā§āĻ¤ā§āϰ⧀āϰāĻžāĨ¤ āĻŽāĻžāĻ°ā§āϕ⧇āϟ āĻŽā§āĻ­āĻŽā§‡āĻ¨ā§āϟ āĻ āĻŋāĻ• āϕ⧇āĻŽāύ āĻšāĻŦ⧇, āϤāĻž āĻ…āύ⧇āĻ•āϟāĻžāχ āύāĻŋāĻ°ā§āĻ­āϰ āĻ•āϰāĻŦ⧇ āϤāĻžāĻĻ⧇āϰ āĻŦāĻ•ā§āϤāĻŦā§āϝ⧇āϰ āĻ­āĻžāώāĻž āĻ•āĻŋ āĻšāϝāĻŧ, āϤāĻžāϰ āωāĻĒāϰāĨ¤

āĻĢ⧇āĻĄ āĻĒā§āϰāϧāĻžāύ āĻŦāĻžāϰāύ⧇āύāĻ•āĻŋāϰ āĻŦāĻ•ā§āϤāĻŦā§āϝ (āĻŦ⧃āĻšāĻ¸ā§āĻĒāϤāĻŋāĻŦāĻžāϰ, āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āϏāĻŽāϝāĻŧ āϏāĻ¨ā§āĻ§ā§āϝāĻž ā§Ŧ āϟāĻžāϝāĻŧ)

āĻāĻ›āĻžāĻĄāĻŧāĻžāĻ“ āĻāĻ•āχ āĻĻāĻŋāύ⧇ āĻŦāĻ•ā§āϤāĻŦā§āϝ āϰāĻžāĻ–āĻŦ⧇āύ āĻĢ⧇āĻĄ āĻĒā§āϰāϧāĻžāύ āĻŦāĻžāϰāύ⧇āύāĻ•āĻŋ, āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āϏāĻŽāϝāĻŧ āϏāĻ¨ā§āĻ§ā§āϝāĻž āĻ›āϝāĻŧāϟāĻžāϝāĻŧāĨ¤

āχāϕ⧋āĻĢāĻŋāύ āĻŽāĻŋāϟāĻŋāĻ‚ (āĻļ⧁āĻ•ā§āϰāĻŦāĻžāϰ)

āĻ āĻŋāĻ• āφāϗ⧇āϰ āĻĻāĻŋāύ⧇āχ, āχāωāϰ⧋āĻ—ā§āϰ⧁āĻĒ āĻŽāĻŋāϟāĻŋāĻ‚ āĻāϰ āĻĒāϰ āĻĒāϰāχ āĻļ⧁āĻ•ā§āϰāĻŦāĻžāϰ āφāĻŦāĻžāϰ āĻāĻ•āĻ¤ā§āϰ⧇ āχāϕ⧋āĻĢāĻŋāύ āĻŽā§€āϟāĻŋāĻ‚ āĻ āĻŦāϏāĻŦ⧇āύ āχāωāϰ⧋ āĻĻ⧇āĻļāϗ⧁āϞ⧋āϰ āĻ…āĻ°ā§āĻĨāĻŽāĻ¨ā§āĻ¤ā§āϰ⧀āϰāĻžāĨ¤ āφāϞ⧋āϚāύāĻž āĻ•āϰāĻŦ⧇āύ āĻ…āĻ°ā§āĻĨāύ⧀āϤāĻŋāϰ āϏāĻžāĻŽā§āĻĒā§āϰāϤāĻŋāĻ• āĻ…āĻŦāĻ¸ā§āĻĨāĻž, āĻŦā§āϝāĻžāĻ‚āĻ•āĻŋāĻ‚ āχāωāύāĻŋāϝāĻŧāύ⧇āϰ āωāĻ¨ā§āύāϝāĻŧāύ āĻāĻŦāĻ‚ āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āĻŦāĻŋāώāϝāĻŧāĻžāĻŦāϞ⧀āϰ āωāĻĒāϰāĨ¤ āϗ⧁āϰ⧁āĻ¤ā§āĻŦ⧇āϰ āĻŦāĻŋāϚāĻžāϰ⧇ āĻŽāĻžāĻāĻžāϰāĻŋ āĻšāϞ⧇āĻ“, āĻŽāĻžāĻ°ā§āϕ⧇āĻŸā§‡āϰ āωāĻĒāϰ āĻĒā§āϰāĻ­āĻžāĻŦ āĻĒāϰāϤ⧇ āĻĒāĻžāϰ⧇ āĻāχ āĻŽāĻŋāϟāĻŋāĻ‚ āĻāϰāĨ¤


āϏāĻŦ āĻŽāĻŋāϞāĻŋāϝāĻŧ⧇ āĻ āϏāĻĒā§āϤāĻžāĻšāϟāĻŋāĻ“ āϏ⧁āĻ–āĻ•āϰ āύāĻž āĻšāϤ⧇ āĻĒāĻžāϰ⧇ āχāωāϰ⧋/āχāωāĻāϏāĻĄāĻŋ āĻŦ⧁āϞāĻĻ⧇āϰ āϜāĻ¨ā§āϝāĨ¤ āĻ…āύ⧇āĻ• āĻŦāĻŋāĻļ⧇āώāĻœā§āĻžāχ āφāĻļāĻ‚āĻ•āĻž āĻ•āϰāϛ⧇āύ āĻŽāύāĻ¸ā§āϤāĻžāĻ¤ā§āĻ¤ā§āĻŦāĻŋāĻ• āϞ⧇āϭ⧇āϞ ā§§.ā§Š āϤ⧇ āύ⧇āĻŽā§‡ āφāϏāϤ⧇ āĻĒāĻžāϰ⧇ āχāωāϰ⧋āĨ¤ āϤāĻŦ⧇, āχāϕ⧋āύāĻŽāĻŋāĻ• āύāĻŋāωāϜāϗ⧁āϞ⧋ āĻ­āĻžāϞ⧋ āφāϏāϞ⧇, āϏ⧇ āφāĻļāĻ™ā§āĻ•āĻž āĻ•āĻžāϟāĻŋāϝāĻŧ⧇ āĻļāĻ•ā§āϤāĻŋāĻļāĻžāϞ⧀āĻ“ āĻšāϤ⧇ āĻĒāĻžāϰ⧇āĨ¤

āφāĻĒāύāĻžāϰ āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚ āĻļ⧁āĻ­ āĻšā§‹āĻ•āĨ¤
↧

āĻĢā§āϰāĻŋ āĻŦāĻžāĻ‚āϞāĻž āĻ“āϝāĻŧ⧇āĻŦāĻŋāύāĻžāϰāσ āϏāĻžāĻĒā§‹āĻ°ā§āϟ āĻāĻŦāĻ‚ āϰ⧇āϏāĻŋāϏāĻŸā§āϝāĻžāĻ¨ā§āϏ⧇āϰ āϏāĻžāĻšāĻžāĻ¯ā§āϝ⧇ āĻŦāĻžāĻ¸ā§āϤāĻŦ āĻœā§€āĻŦāύ⧇ āĻŸā§āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚ (ā§§āĻŽ āĻĒāĻ°ā§āĻŦ)

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āĻĢāϰ⧇āĻ•ā§āϏ āĻŦā§āϰ⧋āĻ•āĻžāϰ XM āĻāχ āĻĒā§āϰāĻĨāĻŽ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļāĻŋāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻĒā§āϰāĻĨāĻŽ āĻŦāĻžāĻ‚āϞāĻžāϝāĻŧ āĻ“āϝāĻŧ⧇āĻŦ āϏ⧇āĻŽāĻŋāύāĻžāϰ⧇āϰ āφāϝāĻŧā§‹āϜāύ āĻ•āϰāϤ⧇ āϝāĻžāĻšā§āϛ⧇āĨ¤ āĻŦāĻžāĻ‚āϞāĻž āĻ›āĻžāĻĄāĻŧāĻžāĻ“ XM āĻŽā§‹āϟ ā§ŽāϟāĻŋ āĻ­āĻžāώāĻžāϝāĻŧ āĻ“āϝāĻŧ⧇āĻŦāĻŋāύāĻžāϰ āφāϝāĻŧā§‹āϜāύ āĻ•āϰ⧇ āĻĨāĻžāϕ⧇āĨ¤ āĻāĻ–āύ āĻĨ⧇āϕ⧇ āĻĒā§āϰāϤāĻŋ āĻļ⧁āĻ•ā§āϰāĻŦāĻžāϰ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āϏāĻŽāϝāĻŧ āϰāĻžāϤ ā§Ž:ā§Ļā§Ļ āϟāĻžāϝāĻŧ XM āĻāϰ āϏ⧌āϜāĻ¨ā§āϝ⧇ ā§§ āϘāĻŖā§āϟāĻžāϰ āĻĢā§āϰāĻŋ āĻŦāĻžāĻ‚āϞāĻž āĻ“āϝāĻŧ⧇āĻŦāĻŋāύāĻžāϰ āĻ…āύ⧁āĻˇā§āĻ āĻŋāϤ āĻšāĻŦ⧇āĨ¤ āφāϰ āĻĢā§āϰāĻŋ āϰ⧇āϜāĻŋāĻ¸ā§āĻŸā§āϰ⧇āĻļāύ āĻ•āϰ⧇ āĻāχ āĻ“āϝāĻŧ⧇āĻŦāĻŋāύāĻžāϰ⧇ āĻ…āĻ‚āĻļ āύāĻŋāϤ⧇ āĻĒāĻžāϰāĻŦ⧇ āϏāĻŦāĻžāχāĨ¤

āĻ“āϝāĻŧ⧇āĻŦāĻŋāύāĻžāϰ āĻ•āĻŋ?

āĻ“āϝāĻŧ⧇āĻŦāĻŋāύāĻžāϰ āĻšāϞ āĻāĻ• āϧāϰāύ⧇āϰ āϏ⧇āĻŽāĻŋāύāĻžāϰ āϝ⧇āĻ–āĻžāύ⧇ āχāĻ¨ā§āϟāĻžāϰāύ⧇āĻŸā§‡āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āĻ…āĻ‚āĻļ āύ⧇āϝāĻŧāĻž āϝāĻžāϝāĻŧāĨ¤ āφāĻĒāύāĻŋ āϰ⧇āϜāĻŋāĻ¸ā§āĻŸā§āϰ⧇āĻļāύ āĻ•āϰāϞ⧇āχ āĻāĻŦāĻ‚ āĻāĻ•āϟāĻŋ āϛ⧋āϟ āϏāĻĢāϟāĻ“āϝāĻŧā§āϝāĻžāϰ āĻĄāĻžāωāύāϞ⧋āĻĄ āĻ•āϰ⧇ āύāĻŋāϞ⧇āχ āφāĻĒāύāĻŋ āĻāχ āĻ“āϝāĻŧ⧇āĻŦāĻŋāύāĻžāϰ⧇ āĻ…āĻ‚āĻļ āύāĻŋāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύāĨ¤ āĻāĻ–āĻžāύ⧇ āχāĻ¨ā§āϏāĻŸā§āϰāĻžāĻ•ā§āϟāϰ āĻĒā§āϰāĻĨāĻŽ ā§Ēā§Ģ āĻŽāĻŋāύāĻŋāϟ āύāĻŋāĻ°ā§āĻĻāĻŋāĻˇā§āϟ āĻŦāĻŋāώāϝāĻŧ⧇āϰ āĻ“āĻĒāϰ āϞ⧇āĻ•āϚāĻžāϰ āĻāĻŦāĻ‚ āĻ­āĻŋāĻĄāĻŋāĻ“ āĻĒā§āϰāĻĻāĻ°ā§āĻļāύ āĻ•āϰāĻŦ⧇āύ, āĻāĻŦāĻ‚ āĻļ⧇āώ ā§§ā§Ģ āĻŽāĻŋāύāĻŋāϟ āφāĻĒāύāĻŋ āϤāĻžāϕ⧇ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻĒā§āϰāĻļā§āύ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύāĨ¤

āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇



āĻŦāĻŋāώāϝāĻŧāσ āϏāĻžāĻĒā§‹āĻ°ā§āϟ āĻāĻŦāĻ‚ āϰ⧇āϏāĻŋāϏāĻŸā§āϝāĻžāĻ¨ā§āϏ⧇āϰ āϏāĻžāĻšāĻžāĻ¯ā§āϝ⧇ āĻŦāĻžāĻ¸ā§āϤāĻŦ āĻœā§€āĻŦāύ⧇ āĻŸā§āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚ (ā§§āĻŽ āĻĒāĻ°ā§āĻŦ)

āĻŦāĻžāĻ‚āϞāĻž āĻ­āĻžāώāĻžāϝāĻŧ āĻāχ ā§§ āϘāĻ¨ā§āϟāĻžāϰ āĻ“āϝāĻŧ⧇āĻŦāĻŋāύāĻžāϰ⧇ āϏāĻžāĻĒā§‹āĻ°ā§āϟ āĻāĻŦāĻ‚ āϰ⧇āϏāĻŋāϏāĻŸā§āϝāĻžāĻ¨ā§āϏ āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āĻŦāĻŋāĻ¸ā§āϤāĻžāϰāĻŋāϤ āφāϞ⧋āϚāύāĻž āĻ•āϰāĻž āĻšāĻŦ⧇āĨ¤ āĻ“āϝāĻŧ⧇āĻŦāĻŋāύāĻžāϰāϟāĻŋ āĻ…āύ⧁āĻˇā§āĻ āĻŋāϤ āĻšāĻŦ⧇ ā§§ā§Ģ āύāϭ⧇āĻŽā§āĻŦāϰ, ⧍ā§Ļā§§ā§Š āϤāĻžāϰāĻŋāϖ⧇ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āϏāĻŽāϝāĻŧ āϰāĻžāϤ ā§Ž:ā§Ļā§Ļ āϘāϟāĻŋāĻ•āĻžāϝāĻŧāĨ¤ āϏāĻžāĻĒā§‹āĻ°ā§āϟ āĻāĻŦāĻ‚ āϰ⧇āϏāĻŋāĻ¸ā§āĻŸā§āϝāĻžāĻ¨ā§āϏ⧇āϰ āύāĻŋāĻ°ā§āĻŖāϝāĻŧ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āĻāĻ•āϟāĻŋ āĻ•āĻžāϰ⧇āĻ¨ā§āϏāĻŋ āĻĒ⧇āϝāĻŧāĻžāϰ⧇āϰ āωāĻšā§āϚ āϏāĻŽā§āĻ­āĻžāĻŦāύāĻž āϏāĻŽā§āĻĒāĻ¨ā§āύ āϏāĻŽā§āĻ­āĻžāĻŦā§āϝ āĻŦāĻžāχ-āϏ⧇āϞ āϏ⧇āϟāĻžāĻĒ āϖ⧁āρāĻœā§‡ āĻĒāĻžāĻ“āϝāĻŧāĻž āϏāĻŽā§āĻ­āĻŦ, āĻāĻŦāĻ‚ āĻĢāϰ⧇āĻ•ā§āϏ āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚āϝāĻŧ⧇ āĻāϟāĻŋ āĻāĻ•āϟāĻŋ āĻŦāĻšā§āϞ āĻĒā§āϰāϚāϞāĻŋāϤ āĻĒāĻĻā§āϧāϤāĻŋāĨ¤

āχāĻ¨ā§āϏāĻŸā§āϰāĻžāĻ•ā§āϟāϰ--āϏāĻžā§āϜāϝāĻŧ āϏāϰāĻ•āĻžāϰ?

āĻāĻ•āϜāύ āχāĻ¨ā§āϏāϟāĻŋāϟāĻŋāωāĻļāύāĻžāϞ āĻŸā§āϰ⧇āĻĄāĻžāϰ āĻšāĻŋāϏ⧇āĻŦ⧇ āϏāĻžā§āϜāϝāĻŧ āϏāϰāĻ•āĻžāϰ⧇āϰ āϰāϝāĻŧ⧇āϛ⧇ āĻĢāϰ⧇āύ āĻāĻ•ā§āϏāĻšā§‡āĻžā§āϜ, āĻ•āĻŽā§‹āĻĄāĻŋāϟāĻŋ, āχāϕ⧁āχāϟāĻŋ āĻāĻŦāĻ‚ āĻĄā§‡āϰāĻŋāϭ⧇āϟāĻŋāĻ­āϏ āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚āϝāĻŧ⧇āϰ āĻ…āύ⧇āĻ• āĻŦāĻ›āϰ⧇āϰ āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚ āĻ…āĻ­āĻŋāĻœā§āĻžāϤāĻžāĨ¤ āĻŦāĻŋāĻ—āϤ āĻ•āϝāĻŧ⧇āĻ• āĻŦāĻ›āϰ āϧāϰ⧇ āĻ…āϏāĻ‚āĻ–ā§āϝ āĻŸā§āϰ⧇āĻĄāĻžāϰ āϤāĻžāϰ āĻ•āĻžāĻ› āĻĨ⧇āϕ⧇ āĻŸā§‡āĻ•āύāĻŋāĻ•ā§āϝāĻžāϞ āĻ…ā§āϝāĻžāύāĻžāϞāĻžāχāϏāĻŋāϏ, āϰāĻŋāĻ¸ā§āĻ• āĻŽā§āϝāĻžāύ⧇āϜāĻŽā§‡āĻ¨ā§āϟ āĻāĻŦāĻ‚ āĻĢāĻžāχāĻ¨ā§āϝāĻžāĻ¨ā§āϏ āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āĻļāĻŋāϖ⧇āϛ⧇āĨ¤

>> āĻ“āϝāĻŧ⧇āĻŦāĻŋāύāĻžāϰ⧇ āϰ⧇āϜāĻŋāĻ¸ā§āĻŸā§āϰ⧇āĻļāύ āĻ•āϰ⧁āύ <<

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Technical Analysis āĻāϰ āϏāϚāĻŋāĻ¤ā§āϰ āĻŦā§āϝāĻŦāĻšāĻžāϰāĻŋāĻ• āĻŦāχ

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Technical Analysis āĻļāĻŋāĻ–āĻžāϰ āϜāĻ¨ā§āϝ āχāĻ¨ā§āϟāĻžāϰāύ⧇āĻŸā§‡ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϧāϰāύ⧇āϰ (āϏāĻšāϜ āĻāĻŦāĻ‚ āĻ•āĻ āĻŋāύ) āĻŦāχ (E-Book) āĻ°ā§Ÿā§‡āϛ⧇ āĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āϏāĻžāϧāĻžāϰāĻŖāϤāσ āĻŦāχ āĻĒā§œā§‡ āĻŦāĻ‡ā§Ÿā§‡āϰ āĻŦāĻŋāώ⧟-āĻŦāĻ¸ā§āϤ⧁ āĻŦā§‹āĻāĻž āϝāϤāĻ–āĻžāύāĻŋ āĻ•āĻ āĻŋāύ, āĻ āĻŋāĻ• āϤāϤāĻ–āĻžāύāĻŋ āϏāĻšāϜ āĻšāĻšā§āϛ⧇ āϕ⧋āύ Chart āĻŦāĻž, Graph āĻ•āĻŋāĻ‚āĻŦāĻž, Figure (Picture) āĻĻ⧇āϖ⧇ āĻŦāĻ‡ā§Ÿā§‡āϰ āĻŦāĻŋāώ⧟-āĻŦāĻ¸ā§āϤ⧁āϟāĻŋāϕ⧇ āϏāĻšāĻœā§‡ āωāĻĒāϞāĻŦā§āϧāĻŋ āĻ•āϰ⧇ āĻĢ⧇āϞāĻž āĨ¤

āύ⧀āĻšā§‡āϰ āĻŦāχāϟāĻŋāϤ⧇ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻĒā§āϰāĻ•āĻžāϰ āχāĻ¨ā§āĻĄāĻŋāϕ⧇āϟāϰ / āϟ⧁āϞāϏ / āĻ…āĻ•ā§āϏāĻŋāϞ⧇āϟāϰ āĻāϰ āϏāϚāĻŋāĻ¤ā§āϰ āĻŦā§āϝāĻŦāĻšāĻžāϰāĻŋāĻ• āĻĒā§āĻ°ā§Ÿā§‹āϗ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ Technical Analysis āĻāϰ āĻĒā§āϰāĻ•ā§ƒāϤ āĻĒā§āĻ°ā§Ÿā§‹āĻ— āĻŦāĻž, āĻŦā§āϝāĻŦāĻšāĻžāϰ - āϕ⧇ āĻŦā§‹āĻāĻžāύ⧋āϰ āĻšā§‡āĻˇā§āϟāĻž āĻ•āϰāĻž āĻšā§Ÿā§‡āϛ⧇, āĻāχ āĻŦāχāϤ⧇ Chart āĻŦā§āϝāϤ⧀āϤ āφāϰ āĻ•āĻŋāϛ⧁āχ āύāĻžāχ āĨ¤ āϝāĻžāϰāĻž āχāϤāĻŋāĻĒā§‚āĻ°ā§āĻŦ⧇ Technical Analysis āĻāϰ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻĒā§āϰāĻ•āĻžāϰ āĻŦāχ āĻĒā§œā§‡āϛ⧇āύ, āϤāĻžāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻāχ āĻŦāχāϟāĻŋ āϖ⧁āĻŦāχ āωāĻĒāĻ•āĻžāϰ⧀ āĨ¤

āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇

Download Link

http://www.mediafire.com/download/c8y2pxdt1bgxrf5/Illustrated_Guide.pdf

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āĻ•āĻŋāϛ⧁ āĻŦā§āϰ⧋āĻ•āĻžāϰ⧇āϰ āϏāĻžāĻĨ⧇ xm āĻāϰ āϤ⧁āϞāύāĻž

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āφāĻŽāĻŋ āĻŦ⧇āϏ āĻ•ā§Ÿā§‡āĻ•āϟāĻž āĻŦā§āϰāĻžāĻ•āĻžāϰ⧇ āĻ•āĻžāϜ āĻ•āϰ⧇ āĻĻ⧇āϖ⧇āĻ›āĻŋāĨ¤ āϝ⧇āĻŽāύ, - FBS, FXNET, EXNESS, NORDFX, PAXFOREX, OCTAFX, MAYZUS, AND XM. āĨ¤ āφāĻŽāĻžāϰ āϏ⧀āĻŽāĻž āĻŦāĻĻā§āϧāϤāĻž āĻāĻ–āύ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻāχ āĻĒāĻ°ā§āϝāĻ¨ā§āϤāĨ¤ āϤāĻŦ⧇ xm āĻāϰ āĻŽāϤ āφāĻŽāĻŋ āĻ•āĻžāωāϕ⧇ āĻĒāĻžāχāύāĻŋāĨ¤ āĻāĻ• āĻ•āĻĨāĻžā§Ÿ āĻ…āϏāĻžāϧāĻžāϰāύāĨ¤ āĻŽāĻžāĻ¤ā§āϰ āĻĻ⧁āχāϟāĻŋ āĻ¤ā§āϰ⧁āϟāĻŋ āĻŦāĻžāĻĻ⧇āĨ¤ āĻĒā§āϰāĻĨāĻŽ āĻ¤ā§āϰ⧁āϟāĻŋ āĻŽāĻžāĻ°ā§āϕ⧇āϟ āĻ­ā§‹āϞāϟāĻžāϞāĻŋāϟāĻŋāϰ āϏāĻŽā§Ÿ MT4 āĻĨ⧇āĻŽā§‡ āϝāĻžā§ŸāĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āϐāϏāĻŽā§Ÿ āĻ…āĻ¨ā§āϝ āĻŽāĻžāĻ°ā§āϕ⧇āĻŸā§‡āϰ MT4 āĻĻāĻŋāĻŦā§āĻŦāĻŋ āϚāϞ⧇āĨ¤ āφāϰ āĻĻā§āĻŦāĻŋāĻ¤ā§€ā§ŸāϟāĻŋ āĻšāϞ⧋ āĻŦā§‹āύāĻžāϏ āĻĻāĻŋāϞ⧇ āύāĻŋāϜ āĻŦā§āϝāĻžāϞāĻžāĻ¨ā§āϏ āĻļ⧇āώ āĻšā§Ÿā§‡ āĻ•āĻŋāϛ⧁ āχāϕ⧁āχāϟāĻŋ āĻĨ⧇āϕ⧇ āϗ⧇āϞ⧇ āĻŦā§āϝāĻžāϞāĻžāĻ¨ā§āϏ āĻŽāĻžāχāύāĻžāϏ āĻĨ⧇āϕ⧇ āϝāĻžā§ŸāĨ¤ āĻ…āĻ°ā§āĻĨāĻžā§Ž, āĻŽāύ⧇ āĻ•āϰ⧇āύ āϤāĻžāϰāĻž ā§§ā§Ļā§Ļ% āĻĄāĻŋāĻĒā§‹āϜāĻŋāϟ āĻŦā§‹āύāĻžāϏ āĻĻāĻŋāϞāĨ¤ āĻāĻ–āύ āφāĻĒāύāĻŋ āϝāĻĻāĻŋ ā§§ā§Ļ āĻĄāϞāĻžāϰ āĻĄāĻŋāĻĒā§‹āϜāĻŋāϟ āĻ•āϰ⧇āύ āϤāĻŦ⧇ āφāĻĒāύāĻžāϰ āĻŦā§āϝāĻžāϞāĻžāĻ¨ā§āϏ āĻšāĻŦ⧇ ā§§ā§Ļ āĻĄāϞāĻžāϰ āφāϰ āχāϕ⧁āχāϟāĻŋ āĻšāĻŦ⧇ ⧍ā§Ļ āĨ¤ āĻāĻ–āύ āφāĻĒāύāĻŋ āϝāĻĻāĻŋ āĻŸā§āϰ⧇āĻĄ āĻ•āϰ⧇ ⧧⧍ āϞāϏ āĻ•āϰ⧇āύ āϤāĻŦ⧇ āφāĻĒāύāĻžāϰ āĻŦā§āϝāĻžāϞāĻžāĻ¨ā§āϏ āĻšā§Ÿā§‡ āϝāĻžāĻŦ⧇ -⧍ (āĻŽāĻžāχāύāĻžāϏ āĻĻ⧁āχ) āφāϰ āχāϕ⧁āχāϟāĻŋ āĻšāĻŦ⧇ ā§Ž, āĻāĻ–āύ āφāĻĒāύāĻŋ āϝāĻĻāĻŋ ā§Ģ āĻĒā§āϰāĻĢāĻŋāϟ āĻ•āϰ⧇āύ āϤāĻŦ⧇ āϤāĻžāϰāĻž āφāĻĒāύāĻžāϰ āĻĒā§āϰāĻĢāĻŋāϟ āĻĨ⧇āϕ⧇ ⧍ āϕ⧇āĻŸā§‡ āύāĻŋāĻŦ⧇, āĻŽāĻžāύ⧇ āφāĻĒāύāĻžāϰ āĻĒā§āϰāĻĢāĻŋāϟ āĻāϏ⧇ āĻĻāĻžā§œāĻžāĻŦ⧇ ā§Š āĻ āĨ¤ āϝāĻž āĻ…āĻ¨ā§āϝ āĻŦā§āϰ⧋āĻ•āĻžāϰ āϝ⧇āĻŽāύ FXNET āĻ•āϰ⧇ āύāĻžāĨ¤ āϤāĻžāϰāĻž āφāĻĒāύāĻžāϰ āĻŦā§āϝāĻžāϞāĻžāĻ¨ā§āϏ ā§Ļā§Ļ.ā§Ļ āĻ•āϰ⧇ āĻĻāĻŋāĻŦ⧇ āĻŽāĻžāύ⧇ āĻŽāĻžāχāύāĻžāϏ āĻ āĻĨāĻžāĻ•āĻŦ⧇ āύāĻžāĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āχāϕ⧁āχāϟāĻŋ āĻĨāĻžāĻ•āϞ⧇ āϤāĻž āĻĻāĻŋā§Ÿā§‡ āĻĻāĻŋāĻŦā§āĻŦāĻŋ āĻŸā§āϰ⧇āĻĄ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύ āĻāĻŦāĻ‚ āĻĒā§āϰāĻĢāĻŋāϟ āĻšāϞ⧇ āϤāĻžāϰāĻž āϕ⧋āύ āĻ•āĻŋāϛ⧁ āĻ•āĻžāϟāĻŦ⧇ āύāĻžāĨ¤ āωāĻĒāϰ⧁āĻ•ā§āϤ āĻ•āĻžāϰāύ āĻĻ⧁āχāϟāĻŋ āĻ›āĻžā§œāĻž xm āĻāϰ āϏāĻŦ āĻ•āĻŋāϛ⧁āχ āφāĻŽāĻžāϕ⧇ āĻ…āϤāĻŋāĻŦā§‹ āĻĻāĻžāϰ⧁āύ āϞāĻžāϗ⧇āĨ¤ āĻŦāĻŋāĻļ⧇āώ āĻ•āϰ⧇ āϤāĻžāϰāĻž āĻ•ā§āϞāĻžāχāĻ¨ā§āϟāĻĻ⧇āϰ āϏāĻžāĻĨ⧇ āϖ⧁āĻŦ āĻ•ā§œāĻž āĻ•ā§œāĻŋ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰ⧇āύ āύāĻž, āϝāĻž FXNET, EXNESS, NORDFX āχāĻ¤ā§āϝāĻžāĻĻāĻŋ āĻāχāϏāĻŦ āĻŦā§āϰāĻ•āĻžāϰ āĻ•āϰ⧇ āĻĨāĻžāϕ⧇āĨ¤ āϝāĻž āĻ…āύ⧇āĻ•āϟāĻž āĻšā§ŸāϰāĻžāύāĻŋāϰ āĻ•āĻžāϰāύāĨ¤ āĻŦāϞāϤ⧇ āϗ⧇āϞ⧇ āϤāĻžāϰāĻž āϖ⧁āĻŦ āϛ⧋āϟ āϛ⧋āϟ āĻŦāĻŋāώ⧟ āύāĻŋā§Ÿā§‡ āĻĢāĻžāϞāϤ⧁ āĻāĻžāĻŽā§‡āϞāĻž āĻ•āϰ⧇āĨ¤ āϝāĻž āφāĻŽāĻžāϰ āĻŽā§‹āĻŸā§‡āĻ“ āĻĒāĻ›āĻ¨ā§āĻĻ āĻšā§Ÿ āύāĻžāĨ¤ āφāϰ EXNESS āĻāϰ āĻŽāϤ āĻ•āĻ¨ā§āϜ⧁āϏ āφāϰ āĻ—āϰāĻŋāĻŦ āĻŦā§āϰ⧋āĻ•āĻžāϰ āĻŽāύ⧇ āĻšā§Ÿ āĻĻ⧁āύāĻŋ⧟āĻžāϤ⧇ āύāĻžā§Ÿ, āϤāĻžāϰāĻž āϏāĻžāĻŽāĻžāĻ¨ā§āϝ āĻĒāϰāĻŋāĻŽāĻžāύāĻ“ āĻĄāĻŋāĻĒā§‹āϜāĻŋāϟ āĻŦā§‹āύāĻžāϏ āĻĻā§‡ā§Ÿ āύāĻž, āĻŦā§āϝāϟāĻžāϰāĻž āĻĢāĻ•āĻŋāĻ¨ā§āύāĻŋāϰ āϚāĻžāχāϤ⧇āĻ“ āĻ–āĻžāϰāĻžāĻĒāĨ¤ āφāϰ FXNET āϤ⧋ āĻŦā§āϝāϟāĻž āĻĸ⧁āĻ•āϤ⧇āĻ“ āĻ•āĻžāĻŸā§‡ āĻŦ⧇āϰ āĻšāϤ⧇āĻ“ āĻ•āĻžāĻŸā§‡āĨ¤ āĻŽāĻžāύ⧇ āĻĄāĻŋāĻĒā§‹āϜāĻŋāĻŸā§‡āĻ“ āĻ•āĻžāĻŸā§‡ āωāχāĻĨāĻĄā§āϰāϤ⧇āĻ“ āĻ•āĻžāĻŸā§‡āĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ XM āĻāχ āĻŦā§āϝāĻžāĻĒāĻžāϰ⧇ āĻ…āύ⧇āĻ• āĻ­āĻžāϞ āϝāĻžāϰ āĻ•āĻžāϰāύ⧇ āφāĻŽāĻžāϰ āĻ•āĻžāϛ⧇ XM āĻ•āĻžāϜ āĻ•āϰāϤ⧇ āĻ­āĻžāϞ āϞāĻžāϗ⧇ āĻ…āĻ¨ā§āϝ āϏāĻŦ āĻŦā§āϰ⧋āĻ•āĻžāϰ⧇āϰ āϚāĻžāχāϤ⧇āĨ¤ āϝāĻĻāĻŋāĻ“ āωāĻĒāϰāĻŋāωāĻ•ā§āϤ āĻĻ⧁āχāϟāĻŋ āĻŦā§āϰ⧋āĻ•āĻžāϰ āĻŦāĻžāĻĻ⧇ āϏāĻŦ āϗ⧁āϞ⧋āϤ⧇āχ āĻāĻ–āύ⧋ āĻ•āĻžāϜ āĻ•āϰāĻ›āĻŋāĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āϏ⧇āϰāĻž āĻŦā§āϰ⧋āĻ•āĻžāϰ⧇āϰ āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āφāĻŽāĻžāϰ āĻ•āĻžāϛ⧇ XM, XM ,XM
āφāĻļāĻž āϰāĻžāĻ–āĻŋ XM āϤāĻžāĻĻ⧇āϰ āϏ⧇āχ āĻĻ⧁āχāϟāĻŋ āϏāĻŽāĻ¸ā§āϝāĻžāĻ“ āφāĻŽāĻžāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āϏāĻŽāĻžāϧāĻžāύ āĻ•āϰ⧇ āĻĻāĻŋāĻŦ⧇āĨ¤
Thanks XM, Thanks
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āϏāĻšāϜ āĻšāϞ XM āĻ āĻ…ā§āϝāĻžāĻ•āĻžāωāĻ¨ā§āϟ āϭ⧇āϰāĻŋāĻĢāĻŋāϕ⧇āĻļāύ

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āϏāĻšāϜ āĻšāϞ XM āĻ āĻ…ā§āϝāĻžāĻ•āĻžāωāĻ¨ā§āϟ āϭ⧇āϰāĻŋāĻĢāĻŋāϕ⧇āĻļāύ āĻĒāĻĻā§āϧāϤāĻŋāĨ¤ āφāĻŽāϰāĻž āϏāĻ•āϞ⧇āχ āϜāĻžāύāĻŋ āĻŦā§āϰ⧋āĻ•āĻžāϰ⧇ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ•āϰāϤ⧇ ⧍ āϧāϰāύ⧇āϰ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āĻĒā§āϰāĻĻāĻžāύ āĻ•āϰāϤ⧇ āĻšāϝāĻŧāĨ¤ āĻŦ⧇āĻļāĻŋāϰāĻ­āĻžāĻ— āĻŸā§āϰ⧇āĻĄāĻžāϰ āĻ¨ā§āϝāĻžāĻļāύāĻžāϞ āφāχāĻĄāĻŋ/āĻĒāĻžāϏāĻĒā§‹āĻ°ā§āϟ āĻĻāĻŋāϝāĻŧ⧇ āφāχāĻĄā§‡āĻ¨ā§āϟāĻŋāϟāĻŋ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāϞ⧇āĻ“ āϏāĻŽāĻ¸ā§āϝāĻžāϝāĻŧ āĻĒāĻĄāĻŧāϤ⧋ āĻ āĻŋāĻ•āĻžāύāĻž āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ•āϰāĻž āύāĻŋāϝāĻŧ⧇āĨ¤ āĻ•āĻžāϰāĻŖ āĻ āĻŋāĻ•āĻžāύāĻž āϭ⧇āϰāĻŋāĻĢāĻžāχāϝāĻŧ⧇āϰ āϜāĻ¨ā§āϝ āφāĻĒāύāĻžāϰ āύāĻŋāĻœā§‡āϰ āύāĻžāĻŽā§‡ āĻŦā§āϝāĻžāĻ‚āĻ• āĻ¸ā§āĻŸā§‡āϟāĻŽā§‡āĻ¨ā§āϟ, āĻŽā§‹āĻŦāĻžāχāϞ, āχāĻ¨ā§āϟāĻžāϰāύ⧇āϟ āĻŦāĻŋāϞ, āĻŽā§‹āĻŦāĻžāχāϞ āĻŦāĻŋāϞ, āĻ•āĻžāϰ⧇āĻ¨ā§āϟ āĻŦāĻŋāϞ āχāĻ¤ā§āϝāĻžāĻĻāĻŋ āϝ⧇āϕ⧋āύ⧋ āĻāĻ•āϟāĻŋ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āϜāĻŽāĻž āĻĻāĻŋāϤ⧇ āĻšāϤāĨ¤ āĻ…āύ⧇āϕ⧇āχ āϏāĻŽāĻ¸ā§āϝāĻžāϝāĻŧ āĻĒāĻĄāĻŧāϤ⧋ āĻ•āĻžāϰāĻŖ āĻ…āύ⧇āϕ⧇āϰāχ āύāĻŋāĻœā§‡āϰ āύāĻžāĻŽā§‡ āĻāϏāĻŦ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āĻ›āĻŋāϞ āύāĻžāĨ¤ āĻāϏāĻŦ āϏāĻŽāĻ¸ā§āϝāĻž āĻŦāĻŋāĻŦ⧇āϚāύāĻž āĻ•āϰ⧇, āĻāĻ–āύ āĻĨ⧇āϕ⧇ āĻļ⧁āϧ⧁āĻŽāĻžāĻ¤ā§āϰ āϏ⧇āϏāĻŦ āĻŸā§āϰ⧇āĻĄāĻžāϰ, āϝāĻžāĻĻ⧇āϰ āĻ āĻŋāĻ•āĻžāύāĻž āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āĻĒāĻžāĻ°ā§āϏ⧋āύāĻžāϞ āχāωāϟāĻŋāϞāĻŋāϟāĻŋ āĻŦāĻŋāϞ⧇āϰ āĻ•āĻĒāĻŋ āύ⧇āχ, āϤāĻžāϰāĻž āĻāĻ•āϟāĻŋ āĻĢāĻ°ā§āĻŽ āĻĒā§‚āϰāĻŖ āĻ•āϰ⧇āχ āϤāĻžāĻĻ⧇āϰ āϭ⧇āϰāĻŋāĻĢāĻŋāϕ⧇āĻļāύ āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύāĨ¤

āĻŦāĻŋ. āĻĻā§āϰāσ āϝāĻžāĻĻ⧇āϰ āĻ āĻŋāĻ•āĻžāύāĻž āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āĻĒā§āϰāϝāĻŧā§‹āϜāύ⧀āϝāĻŧ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āϰāϝāĻŧ⧇āϛ⧇, āϤāĻžāĻĻ⧇āϰ āĻ…āύ⧁āϰ⧋āϧ āĻ•āϰāĻž āϝāĻžāĻšā§āϛ⧇ āϏāĻžāϧāĻžāϰāĻŖ āύāĻŋāϝāĻŧāĻŽā§‡āχ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝāĨ¤ āĻļ⧁āϧ⧁āĻŽāĻžāĻ¤ā§āϰ āϤāĻžāĻĻ⧇āϰ, āϤāĻžāĻĻ⧇āϰ āĻ āĻŋāĻ•āĻžāύāĻž āϭ⧇āϰāĻŋāĻĢāĻžāχāϝāĻŧ⧇āϰ āĻĒā§āϰāϝāĻŧā§‹āϜāύ⧀āϝāĻŧ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āύ⧇āχ, āϤāĻžāϰāĻž āĻĢāĻ°ā§āĻŽāϟāĻŋ āĻĒāĻžāĻ“āϝāĻŧāĻžāϰ āϜāĻ¨ā§āϝ XM āĻāϰ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻĒā§āϰāϤāĻŋāύāĻŋāϧāĻŋāϰ āϏāĻžāĻĨ⧇ (āφāĻŽāĻŋ) āϝ⧋āĻ—āĻžāϝ⧋āĻ— āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧇āύ āĻ…āĻĨāĻŦāĻž bangladesh@xm.com āĻ āĻŋāĻ•āĻžāύāĻžāϝāĻŧ āχ-āĻŽā§‡āχāϞ āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧇āύāĨ¤

āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇



XM āĻ āϭ⧇āϰāĻŋāĻĢāĻžāχāϝāĻŧ⧇āϰ āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻž āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āĻŦāĻŋāĻ¸ā§āϤāĻžāϰāĻŋāϤ āωāĻ˛ā§āϞ⧇āĻ– āĻ•āϰ⧇ āĻĻ⧇āϝāĻŧāĻž āĻšāϞāσ

āϭ⧇āϰāĻŋāĻĢāĻŋāϕ⧇āĻļāύ āĻ•āĻŋ?

XM āĻ āĻŸā§āϰ⧇āĻĄ āĻ•āϰāϤ⧇ āĻšāϞ⧇, āφāĻĒāύāĻŋ āĻ…ā§āϝāĻžāĻ•āĻžāωāĻ¨ā§āϟ āĻ“āĻĒ⧇āύ āĻ•āϰāĻžāϰ āϏāĻŽāϝāĻŧ āϝ⧇āϏāĻŦ āϤāĻĨā§āϝ āĻĒā§āϰāĻĻāĻžāύ āĻ•āϰ⧇ āϰ⧇āϜāĻŋāĻ¸ā§āĻŸā§āϰ⧇āĻļāύ āĻ•āϰ⧇āϛ⧇āύ, āϏ⧇āϗ⧁āϞ⧋āϰ āϏāĻ¤ā§āϝāϤāĻž āĻĒā§āϰāĻŽāĻžāύ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āφāĻĒāύāĻžāϰ āĻ•āĻŋāϛ⧁ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āĻĒā§āϰāĻĻāĻžāύ āĻ•āϰāϤ⧇ āĻšāĻŦ⧇āĨ¤ āĻāχ āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻžāϕ⧇ āϭ⧇āϰāĻŋāĻĢāĻŋāϕ⧇āĻļāύ āĻŦāϞāĻž āĻšāϝāĻŧāĨ¤

āφāĻŽāĻŋ āĻ•āĻŋ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ›āĻžāĻĄāĻŧāĻž āĻŸā§āϰ⧇āĻĄ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŦā§‹?

XM āĻ āύāĻŋāϝāĻŧāĻŽāĻŋāϤ āĻŸā§āϰ⧇āĻĄ āĻ•āϰāϤ⧇ āĻšāϞ⧇ āφāĻĒāύāĻžāϕ⧇ āĻ…āĻŦāĻļā§āϝāχ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ•āϰāϤ⧇ āĻšāĻŦ⧇āĨ¤ āφāĻĒāύāĻžāϰ āϝāĻĻāĻŋ āϭ⧇āϰāĻŋāĻĢāĻŋāϕ⧇āĻļāύ⧇āϰ āϜāĻ¨ā§āϝ āϏāĻ•āϞ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āĻĨ⧇āϕ⧇ āĻĨāĻžāϕ⧇, āϤāĻŦ⧇ āφāĻĒāύāĻŋ āϭ⧇āϰāĻŋāĻĢāĻžāχ āύāĻž āĻ•āϰ⧇āĻ“ āĻĄāĻŋāĻĒā§‹āϜāĻŋāϟ āĻ•āϰ⧇ āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚ āĻļ⧁āϰ⧁ āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧇āύāĨ¤ āωāχāĻĨāĻĄā§āϰ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ…āĻ¤ā§āϝāĻžāĻŦāĻļā§āϝāĻ•āĨ¤ āϤāĻžāχ āωāχāĻĨāĻĄā§āϰ⧇āϰ āϜāĻ¨ā§āϝ āĻ…āĻŦāĻļā§āϝāχ āĻāϰ āĻŽāĻ§ā§āϝ⧇ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻž āϏāĻŽā§āĻĒāĻ¨ā§āύ āĻ•āϰāϤ⧇ āĻšāĻŦ⧇āĨ¤ āϤāĻŦ⧇ āĻĄāĻŋāĻĒā§‹āϜāĻŋāϟ āĻ•āϰāĻžāϰ āφāϗ⧇āχ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ•āϰ⧇ āĻĢ⧇āϞāĻž āωāĻ¤ā§āϤāĻŽāĨ¤ āφāĻĒāύāĻŋ āϝ⧇āχ āύāĻžāĻŽā§‡ āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚ āĻ…ā§āϝāĻžāĻ•āĻžāωāĻ¨ā§āϟ āĻ“āĻĒ⧇āύ āĻ•āϰ⧇āϛ⧇āύ, āφāĻĒāύāĻžāϰ āϏāĻŦ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āϏ⧇āχ āύāĻžāĻŽā§‡āχ āĻšāϤ⧇ āĻšāĻŦ⧇āĨ¤


āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ•āϰāϤ⧇ āĻ•āĻŋ āĻ•āĻŋ āϞāĻžāĻ—āĻŦ⧇?

āϭ⧇āϰāĻŋāĻĢāĻŋāϕ⧇āĻļāύ⧇āϰ āϜāĻ¨ā§āϝ āφāĻĒāύāĻžāϕ⧇ ⧍ āϧāϰāύ⧇āϰ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āĻĒā§āϰāĻĻāĻžāύ āĻ•āϰāϤ⧇ āĻšāĻŦ⧇:

āφāχāĻĄā§‡āĻ¨ā§āϟāĻŋāϟāĻŋ āĻŦāĻž āĻĒāϰāĻŋāϚāϝāĻŧ āϭ⧇āϰāĻŋāĻĢāĻŋāϕ⧇āĻļāύāσ āφāχāĻĄā§‡āĻ¨ā§āϟāĻŋāϟāĻŋ āĻŦāĻž āĻĒāϰāĻŋāϚāϝāĻŧ āϭ⧇āϰāĻŋāĻĢāĻŋāϕ⧇āĻļāύ⧇āϰ āϜāĻ¨ā§āϝ āφāĻĒāύāĻžāϕ⧇ āφāĻĒāύāĻžāϰ āĻ¨ā§āϝāĻžāĻļāύāĻžāϞ āφāχāĻĄāĻŋ āĻ•āĻžāĻ°ā§āĻĄ āĻ…āĻĨāĻŦāĻž āĻĒāĻžāϏāĻĒā§‹āĻ°ā§āϟ āĻ…āĻĨāĻŦāĻž āĻĄā§āϰāĻžāχāĻ­āĻŋāĻ‚ āϞāĻžāχāϏ⧇āĻ¨ā§āϏ āĻ¸ā§āĻ•ā§āϝāĻžāύ āĻ•āϰ⧇ āϤāĻž āχāĻŽā§‡āϜ āĻŦāĻž āĻĒāĻŋāĻĄāĻŋāĻāĻĢ āĻĢāϰāĻŽā§āϝāĻžāĻŸā§‡ āφāĻĒāϞ⧋āĻĄ āĻ•āϰāϤ⧇ āĻšāĻŦ⧇āĨ¤ āφāĻĒāύāĻžāϰ āφāχāĻĄāĻŋāϰ ⧍ āĻĒāĻžāĻļāχ āĻ¸ā§āĻ•ā§āϝāĻžāύ āĻ•āϰāϤ⧇ āĻšāĻŦ⧇āĨ¤ āϏ⧇āχ āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āĻāĻ•āϟāĻŋ āχāĻŽā§‡āϜ āĻĢāĻžāχāϞ⧇ āĻŦāĻž āĻĒāĻŋāĻĄāĻŋāĻāĻĢ āĻĢāĻžāχāϞ⧇ āϝ⧁āĻ•ā§āϤ āĻ•āϰ⧇ āφāĻĒāϞ⧋āĻĄ āĻ•āϰāϤ⧇ āĻšāĻŦ⧇āĨ¤ āφāχāĻĄā§‡āĻ¨ā§āϟāĻŋāϟāĻŋ āĻŦāĻž āĻĒāϰāĻŋāϚāϝāĻŧāĻĒāĻ¤ā§āϰ⧇āϰ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āĻĨ⧇āϕ⧇ āĻŽā§‚āϞāϤ āφāĻĒāύāĻžāϰ āύāĻžāĻŽ āĻāĻŦāĻ‚ āϜāĻ¨ā§āĻŽ āϏāĻžāϞ āĻŽā§‡āϞāĻžāύ⧋ āĻšāϝāĻŧāĨ¤

āĻ…ā§āϝāĻžāĻĄā§āϰ⧇āϏ āĻŦāĻž āĻ āĻŋāĻ•āĻžāύāĻž āϭ⧇āϰāĻŋāĻĢāĻŋāϕ⧇āĻļāύāσ āĻ…ā§āϝāĻžāĻĄā§āϰ⧇āϏ āĻŦāĻž āĻ āĻŋāĻ•āĻžāύāĻž āϭ⧇āϰāĻŋāĻĢāĻŋāϕ⧇āĻļāύ⧇āϰ āϜāĻ¨ā§āϝ āφāĻĒāύāĻžāϕ⧇ āĻāĻŽāύ āĻāĻ•āϟāĻŋ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āĻĒā§āϰāĻĻāĻžāύ āĻ•āϰāϤ⧇ āĻšāĻŦ⧇ āϝāĻž āĻ—āϤ ā§Š āĻŽāĻžāϏ⧇āϰ āĻŦ⧇āĻļāĻŋ āĻĒ⧁āϰāύ⧋ āύāϝāĻŧ, āĻāĻŦāĻ‚ āϝ⧇āĻ–āĻžāύ⧇ āφāĻĒāύāĻžāϰ āύāĻžāĻŽ āϰāϝāĻŧ⧇āϛ⧇āĨ¤ āĻ—ā§āϰāĻšāύāϝ⧋āĻ—ā§āϝ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏāϗ⧁āϞ⧋ āĻšāϞāσ āφāĻĒāύāĻžāϰ āύāĻžāĻŽā§‡ āĻŦā§āϝāĻžāĻ‚āĻ• āĻ¸ā§āĻŸā§‡āϟāĻŽā§‡āĻ¨ā§āϟ, āĻŽā§‹āĻŦāĻžāχāϞ, āχāĻ¨ā§āϟāĻžāϰāύ⧇āϟ āĻŦāĻŋāϞ, āĻŽā§‹āĻŦāĻžāχāϞ āĻŦāĻŋāϞ, āĻ•āĻžāϰ⧇āĻ¨ā§āϟ āĻŦāĻŋāϞ āχāĻ¤ā§āϝāĻžāĻĻāĻŋāĨ¤ āφāĻĒāύāĻžāϰ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏāϟāĻŋ āĻ¸ā§āĻ•ā§āϝāĻžāύ āĻ•āϰ⧇ āϤāĻž āχāĻŽā§‡āϜ āĻŦāĻž āĻĒāĻŋāĻĄāĻŋāĻāĻĢ āĻĢāϰāĻŽā§āϝāĻžāĻŸā§‡ āφāĻĒāϞ⧋āĻĄ āĻ•āϰāϤ⧇ āĻšāĻŦ⧇āĨ¤ āĻ…ā§āϝāĻžāĻĄā§āϰ⧇āϏ āĻŦāĻž āĻ āĻŋāĻ•āĻžāύāĻž āϭ⧇āϰāĻŋāĻĢāĻŋāϕ⧇āĻļāύ⧇āϰ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āĻĨ⧇āϕ⧇ āĻŽā§‚āϞāϤ āϰ⧇āϜāĻŋāĻ¸ā§āĻŸā§āϰ⧇āĻļāύ⧇āϰ āϏāĻŽāϝāĻŧ āĻĒā§āϰāĻĻāĻ¤ā§āϤ āφāĻĒāύāĻžāϰ āĻŦāĻžāϏāĻžāϰ āĻ āĻŋāĻ•āĻžāύāĻž āĻŽā§‡āϞāĻžāύ⧋ āĻšāϝāĻŧāĨ¤ āϤāĻžāχ āφāĻĒāύāĻŋ āϝ⧇āχ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟ āĻĻāĻŋāϝāĻŧ⧇ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ•āϰāϤ⧇ āϚāĻžāύ, āϏ⧇āχ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āĻŸā§‡ āĻĒā§āϰāĻĻāĻ¤ā§āϤ āĻ āĻŋāĻ•āĻžāύāĻžāχ āϰ⧇āϜāĻŋāĻ¸ā§āĻŸā§āϰ⧇āĻļāύ⧇āϰ āϏāĻŽāϝāĻŧ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰ⧁āύāĨ¤ āϝāĻžāĻĻ⧇āϰ āĻ āĻŋāĻ•āĻžāύāĻž āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āĻĒā§āϰāϝāĻŧā§‹āϜāύ⧀āϝāĻŧ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āϰāϝāĻŧ⧇āϛ⧇, āϤāĻžāĻĻ⧇āϰ āĻ…āύ⧁āϰ⧋āϧ āĻ•āϰāĻž āϝāĻžāĻšā§āϛ⧇ āϏāĻžāϧāĻžāϰāĻŖ āύāĻŋāϝāĻŧāĻŽā§‡āχ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝāĨ¤ āĻļ⧁āϧ⧁āĻŽāĻžāĻ¤ā§āϰ āϤāĻžāĻĻ⧇āϰ, āϤāĻžāĻĻ⧇āϰ āĻ āĻŋāĻ•āĻžāύāĻž āϭ⧇āϰāĻŋāĻĢāĻžāχāϝāĻŧ⧇āϰ āĻĒā§āϰāϝāĻŧā§‹āϜāύ⧀āϝāĻŧ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āύ⧇āχ, āϤāĻžāϰāĻž āĻāĻ•āϟāĻŋ āĻĢāĻ°ā§āĻŽ āĻĒā§‚āϰāĻŖ āĻ•āϰ⧇āχ āϤāĻžāĻĻ⧇āϰ āϭ⧇āϰāĻŋāĻĢāĻŋāϕ⧇āĻļāύ āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύāĨ¤ āĻĢāĻ°ā§āĻŽāϟāĻŋ āĻĒāĻžāĻ“āϝāĻŧāĻžāϰ āϜāĻ¨ā§āϝ XM āĻāϰ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻĒā§āϰāϤāĻŋāύāĻŋāϧāĻŋāϰ āϏāĻžāĻĨ⧇ (āφāĻŽāĻŋ) āϝ⧋āĻ—āĻžāϝ⧋āĻ— āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧇āύ āĻ…āĻĨāĻŦāĻž bangladesh@xm.com āĻ āĻŋāĻ•āĻžāύāĻžāϝāĻŧ āχ-āĻŽā§‡āχāϞ āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧇āύāĨ¤

āĻ•āĻŋāĻ­āĻžāĻŦ⧇ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ•āϰāĻŦā§‹?

āφāĻĒāύāĻžāϰ āĻ…ā§āϝāĻžāĻ•āĻžāωāĻ¨ā§āϟ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ my.xm.com āĻ āϞāĻ—āĻŋāύ āĻ•āϰ⧁āύāĨ¤ āϞāĻ—āĻŋāύ āĻ•āϰāĻžāϰ āĻĒāϰ āĻĄāĻžāύ āĻĒāĻžāĻļ⧇ āϏāĻžāχāĻĄāĻŦāĻžāϰ⧇ Account Verification āĻŦāĻ•ā§āϏ āĻĨ⧇āϕ⧇ Upload āĻ āĻ•ā§āϞāĻŋāĻ• āĻ•āϰ⧁āύāĨ¤

āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇

āĻĒāϰāĻŦāĻ°ā§āϤ⧀ āĻĒ⧇āχāĻœā§‡ āφāĻĒāύāĻžāϰ āφāχāĻĄā§‡āĻ¨ā§āϟāĻŋāϟāĻŋ āĻāĻŦāĻ‚ āĻ…ā§āϝāĻžāĻĄā§āϰ⧇āϏ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏāϗ⧁āϞ⧋ Browse āĻ•ā§āϞāĻŋāĻ• āĻ•āϰ⧇ āύāĻŋāĻ°ā§āĻŦāĻžāϚāύ āĻ•āϰ⧁āύāĨ¤ āĻāϰāĻĒāϰ Upload Your Documents āĻ āĻ•ā§āϞāĻŋāĻ• āĻ•āϰāϞ⧇āχ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏāϗ⧁āϞ⧋ āφāĻĒāϞ⧋āĻĄ āĻšāϝāĻŧ⧇ āϝāĻžāĻŦ⧇āĨ¤
āĻāĻ›āĻžāĻĄāĻŧāĻž āφāĻĒāύāĻŋ āχ-āĻŽā§‡āχāϞ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡āĻ“ āϭ⧇āϰāĻŋāĻĢāĻŋāϕ⧇āĻļāύ⧇āϰ āϜāĻ¨ā§āϝ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āϜāĻŽāĻž āĻĻāĻŋāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύāĨ¤ āφāĻĒāύāĻžāϰ āχ-āĻŽā§‡āχāϞ āĻĨ⧇āϕ⧇ backoffice@xm.com āĻ āĻāĻ•āϟāĻŋ āĻŽā§‡āχāϞ⧇ āφāĻĒāύāĻžāϰ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏāϗ⧁āϞ⧋ āϝ⧁āĻ•ā§āϤ (attach) āĻ•āϰ⧇ āĻŽā§‡āχāϞ⧇āϰ āϏāĻžāĻŦāĻœā§‡āĻ•ā§āϟ Request for verification – (āφāĻĒāύāĻžāϰ XM āĻ…ā§āϝāĻžāĻ•āĻžāωāĻ¨ā§āϟ āύāĻžāĻŽā§āĻŦāĻžāϰ) āĻāĻŦāĻ‚ āĻŽā§‡āχāϞ⧇āϰ āĻŦāĻĄāĻŋāϤ⧇ āϞāĻŋāĻ–āĻŦ⧇āύāσ I want to verify my XM account. I have attached all my documents with this mail. Please check and verify my account. My trading account number is: - (āφāĻĒāύāĻžāϰ XM āĻ…ā§āϝāĻžāĻ•āĻžāωāĻ¨ā§āϟ āύāĻžāĻŽā§āĻŦāĻžāϰ) āϤāĻžāϰāĻĒāϰ āϏ⧇āĻ¨ā§āĻĄ āĻ•āϰ⧇ āĻĻāĻŋāϞ⧇āχ āφāĻĒāύāĻžāϰ āϏāĻŦ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āϏāĻ āĻŋāĻ• āĻĨāĻžāĻ•āϞ⧇ āĻŦā§āϝāĻžāĻ•āĻ…āĻĢāĻŋāϏ āφāĻĒāύāĻžāϰ āĻ…ā§āϝāĻžāĻ•āĻžāωāĻ¨ā§āϟ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ•āϰ⧇ āύāĻŋāĻŦ⧇āĨ¤


āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ•āϰāϤ⧇ āĻ•āϤ āϏāĻŽāϝāĻŧ āϞāĻžāĻ—āĻŦ⧇?

āφāĻĒāύāĻŋ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āϜāĻŽāĻž āĻĻ⧇āϝāĻŧāĻžāϰ ⧍ā§Ē āϘāĻŖā§āϟāĻžāϰ āĻŽāĻ§ā§āϝ⧇āχ āϏāĻžāϧāĻžāϰāύāϤ āφāĻĒāύāĻžāϰ XM āĻ…ā§āϝāĻžāĻ•āĻžāωāĻ¨ā§āϟ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻšāϝāĻŧ⧇ āϝāĻžāĻŦ⧇āĨ¤ āĻļāύāĻŋāĻŦāĻžāϰ āĻāĻŦāĻ‚ āϰāĻŦāĻŋāĻŦāĻžāϰ āĻŽāĻžāĻ°ā§āϕ⧇āϟ āĻšāϞāĻŋāĻĄā§‡āϰ āĻ•āĻžāϰāϪ⧇ āĻŦā§āϝāĻžāĻ•āĻ…āĻĢāĻŋāϏ āĻŦāĻ¨ā§āϧ āĻĨāĻžāϕ⧇āĨ¤ āϤāĻžāχ āĻ āϏāĻŽāϝāĻŧ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āϕ⧇āω āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āϜāĻŽāĻž āĻĻāĻŋāϞ⧇ āϤāĻž āϏ⧋āĻŽāĻŦāĻžāϰ āĻŽāĻžāĻ°ā§āϕ⧇āϟ āĻ“āĻĒ⧇āύ āĻšāĻŦāĻžāϰ āĻĒāϰ āϭ⧇āϰāĻŋāĻĢāĻžāχāϝāĻŧ⧇āϰ āϜāĻ¨ā§āϝ āϝāĻžāϚāĻžāχ āĻ•āϰāĻž āĻšāĻŦ⧇āĨ¤ āϝāĻĻāĻŋ ⧍ā§Ē āϘāĻŖā§āϟāĻžāϰ āĻŽāĻ§ā§āϝ⧇ āφāĻĒāύāĻžāϰ āĻ…ā§āϝāĻžāĻ•āĻžāωāĻ¨ā§āϟ āϭ⧇āϰāĻŋāĻĢāĻžāχ āύāĻž āĻšāϝāĻŧ āϤāĻŦ⧇ XM āĻāϰ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻĒā§āϰāϤāĻŋāύāĻŋāϧāĻŋāϰ āϏāĻžāĻĨ⧇ āĻĢā§‹āύ⧇ āĻŦāĻž bangladesh@xm.com āĻ āχ-āĻŽā§‡āχāϞ āĻ•āϰ⧇ āϝ⧋āĻ—āĻžāϝ⧋āĻ— āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧇āύāĨ¤

āĻ•āĻŋāĻ­āĻžāĻŦ⧇ āĻŦ⧁āĻāĻŦā§‹ āφāĻŽāĻžāϰ āĻ…ā§āϝāĻžāĻ•āĻžāωāĻ¨ā§āϟ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻšāϝāĻŧ⧇ āϗ⧇āϛ⧇?

āφāĻĒāύāĻŋ āϭ⧇āϰāĻŋāĻĢāĻŋāϕ⧇āĻļāύ⧇āϰ āϜāĻ¨ā§āϝ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āϜāĻŽāĻž āĻĻāĻŋāϞ⧇ ⧍ā§Ē āϘāĻ¨ā§āϟāĻžāϰ āĻŽāĻ§ā§āϝ⧇āχ āϏāĻžāϧāĻžāϰāύāϤ āφāĻĒāύāĻžāϰ āĻ…ā§āϝāĻžāĻ•āĻžāωāĻ¨ā§āϟ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻšāϝāĻŧ⧇ āϝāĻžāĻŦ⧇āĨ¤ āφāĻĒāύāĻžāϰ āĻ…ā§āϝāĻžāĻ•āĻžāωāĻ¨ā§āϟ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻšāϞ⧇, āĻ•āĻŋāĻ‚āĻŦāĻž āύāĻž āĻšāϞ⧇āĻ“ āφāĻĒāύāĻžāϕ⧇ āχāĻŽā§‡āχāϞ āĻ•āϰ⧇ āϜāĻžāύāĻžāύ⧋ āĻšāĻŦ⧇āĨ¤ āϝāĻĻāĻŋ āϭ⧇āϰāĻŋāĻĢāĻžāχ āύāĻž āĻšāϝāĻŧ, āϤāĻŦ⧇ āύāĻž āĻšāĻ“āϝāĻŧāĻžāϰ āĻ•āĻžāϰāύ āĻāĻŦāĻ‚ āĻ•āĻŋ āύāϤ⧁āύ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āϏāĻžāĻŦāĻŽāĻŋāϟ āĻ•āϰāϤ⧇ āĻšāĻŦ⧇ āϤāĻž āϜāĻžāύāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύāĨ¤ āĻāĻ›āĻžāĻĄāĻŧāĻž āφāĻĒāύāĻžāϰ āĻ…ā§āϝāĻžāĻ•āĻžāωāĻ¨ā§āϟ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻšāϞ⧇ āϗ⧇āϞ⧇ my.xm.com āĻ āϞāĻ—āĻŋāύ āĻ•āϰāϞ⧇ āĻĄāĻžāύ āĻĒāĻžāĻļ⧇āϰ āϏāĻžāχāĻĄāĻŦāĻžāϰ⧇ Your Account is Validated āϞ⧇āĻ–āĻž āĻĻ⧇āĻ–āϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύ āύāĻŋāĻšā§‡āϰ āĻ›āĻŦāĻŋāϰ āĻŽāϤāĨ¤

āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇

āφāĻŽāĻžāϰ āϭ⧇āϰāĻŋāĻĢāĻŋāϕ⧇āĻļāύ āĻĄāϕ⧁āĻŽā§‡āĻ¨ā§āϟāϏ āύ⧇āχ, āĻ•āĻŋ āĻ•āϰāĻŦā§‹?

āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āĻ…āϧāĻŋāĻ•āĻžāĻ‚āĻļ āĻ•āĻŽ āĻŦāϝāĻŧāϏ⧀ āĻŸā§āϰ⧇āĻĄāĻžāϰāϰāĻž āϝ⧇ āϏāĻŽāĻ¸ā§āϝāĻžāϟāĻŋ āĻŽā§‹āĻ•āĻžāĻŦ⧇āϞāĻž āĻ•āϰ⧇ āϤāĻž āĻšāϞ āĻ…ā§āϝāĻžāĻ•āĻžāωāĻ¨ā§āϟ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ•āϰāĻžāĨ¤ āĻ…āύ⧇āϕ⧇āχ ā§§ā§Ž+ āĻšāĻ“āϝāĻŧāĻž āϏāĻ¤ā§āĻ¤ā§āĻŦ⧇āĻ“ āĻ¨ā§āϝāĻžāĻļāύāĻžāϞ āφāχāĻĄāĻŋ āĻ•āĻžāĻ°ā§āĻĄ āĻĒāĻžāϝāĻŧ āύāĻžāĨ¤ āϤāĻžāχ āϤāĻžāϰāĻž āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧇ āύāĻžāĨ¤ āϤāĻžāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āϏāĻŦāĻšā§‡āϝāĻŧ⧇ āĻ­āĻžāϞ āϏāĻŽāĻžāϧāĻžāύ āĻšāϞ āĻĒāĻžāϏāĻĒā§‹āĻ°ā§āϟ āĻ•āϰ⧇ āύ⧇āϝāĻŧāĻžāĨ¤ āĻĢāϰ⧇āĻ•ā§āϏ āĻŦā§āϰ⧋āĻ•āĻžāϰ⧇ āϭ⧇āϰāĻŋāĻĢāĻŋāϕ⧇āĻļāύ āϏāĻš āϝ⧇āϕ⧋āύ⧋ āĻ•āĻžāĻœā§‡āχ āĻĒāĻžāϏāĻĒā§‹āĻ°ā§āϟ āĻĨāĻžāĻ•āϞ⧇ āφāĻĒāύāĻŋ āϏāĻšāĻœā§‡āχ āϭ⧇āϰāĻŋāĻĢāĻžāχ āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻž āϏāĻŽā§āĻĒāĻ¨ā§āύ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύāĨ¤
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Currency Correlation - āĻĒā§āϰāĻĨāĻŽ āĻĒāĻ°ā§āĻŦ

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āĻ­āĻžāĻ—ā§āύ⧇āσ āĻŽāĻžāĻŽāĻž, EUR/USD āĻŦāĻžā§œā§‡ āϕ⧇āύ⧋?
āĻŽāĻžāĻŽāĻžāσ GBP/USD āĻŦāĻžā§œā§‡, āϤāĻžāχāĨ¤
āĻ­āĻžāĻ—ā§āύ⧇āσ āĻŽāĻžāĻŽāĻž, GBP/USD āĻŦāĻžā§œā§‡ āϕ⧇āύ⧋?
āĻŽāĻžāĻŽāĻžāσ āĻāϟāĻžāĻ“ āϜāĻžāύ⧋āϏ āύāĻž? EUR/USD āĻŦāĻžā§œā§‡, āϤāĻžāχ!

āύāĻžāĻš! āωāĻĻā§āĻ­āϟ āϝ⧁āĻ•ā§āϤāĻŋ āĻšāϞ⧇āĻ“, āĻŽāĻžāĻŽāĻž āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻĒ⧁āϰ⧋āĻĒ⧁āϰāĻŋ āϭ⧁āϞ āĻŦāϞ⧇āύāύāĻŋāĨ¤ āĻĢāϰ⧇āĻ•ā§āϏ āĻŽāĻžāĻ°ā§āϕ⧇āĻŸā§‡ āĻĒā§āϰāĻžā§Ÿāχ āĻĻ⧇āĻ–āĻž āϝāĻžā§Ÿ āϝ⧇, EUR/USD, GBP/USD, AUD/USD āĻāχ āĻĒā§‡ā§ŸāĻžāϰāϗ⧁āϞ⧋ āĻāĻ•āϏāĻžāĻĨ⧇ āĻŦāĻžā§œāϛ⧇ āĻŦāĻž āĻ•āĻŽāϛ⧇āĨ¤ āχāωāϰ⧋āϰ āϕ⧋āύ āύāĻŋāωāϜāχ āύāĻžāχ, āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻšāϟāĻžāϤ āĻĻ⧇āĻ–āĻž āϗ⧇āϞ⧋ āĻ…āĻ¸ā§āĻŸā§āϰ⧇āϞāĻŋ⧟āĻžāϰ āϏ⧁āĻĻ⧇āϰ āĻšāĻžāϰ āĻ•āĻŽāĻžāύ⧋āϰ āĻ•āĻžāϰāύ⧇ AUD/USD āϧāĻĒāĻžāϧāĻĒ āĻ•āĻŽāϛ⧇, āϏāĻžāĻĨ⧇ EUR/USD āĻ“āĨ¤

āĻ…āĻ¸ā§āĻŸā§āϰ⧇āϞāĻŋ⧟āĻžāύ āĻĄāϞāĻžāϰ⧇āϰ āĻŦāĻž āĻ…āĻ¸ā§āĻŸā§āϰ⧇āϞāĻŋ⧟āĻžāύ āύāĻŋāωāĻœā§‡āϰ āϏāĻžāĻĨ⧇ EUR/USD āĻāϰ āϏāĻŽā§āĻĒāĻ°ā§āĻ• āĻ•āĻŋ? āĻ•āχ āχāωāϰ⧋āĻĒ āφāϰ āĻ•āχ āĻ…āĻ¸ā§āĻŸā§āϰ⧇āϞāĻŋ⧟āĻž! āĻ…āĻ¸ā§āĻŸā§āϰ⧇āϞāĻŋ⧟āĻžāύ āĻĄāϞāĻžāϰ āĻĻ⧁āĻ°ā§āĻŦāϞ āĻšāϞ⧇, āχāωāϰ⧋ āϕ⧇āύ⧋ āĻĻ⧁āĻ°ā§āĻŦāϞ āĻšāĻŦ⧇? Curious mind wants to know.

āĻāχ āĻĒā§āϰāĻļā§āύ⧇āϰ āĻāĻ•āϟāĻž āωāĻ¤ā§āϤāϰ āφāϛ⧇āĨ¤ āφāϰ āϤāĻž āĻšāϞ “Currency Correlation”, āϝāĻžāϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āφāĻŽāϰāĻž āĻāĻ•āϟāĻŋ āĻĻ⧇āĻļ⧇āϰ āĻ•āĻžāϰ⧇āĻ¨ā§āϏāĻŋāϰ āϏāĻžāĻĨ⧇ āφāϰ⧇āĻ•āϟāĻŋ āĻĻ⧇āĻļ⧇āϰ āĻ•āĻžāϰ⧇āĻ¨ā§āϏāĻŋāϰ āĻĒāĻžāϰāĻ¸ā§āĻĒāϰāĻŋāĻ• āϏāĻŽā§āĻĒāĻ°ā§āĻ• āϖ⧁āĻœā§‡ āĻŦ⧇āϰ āĻ•āϰāĻžāϰ āĻšā§‡āĻˇā§āϟāĻž āĻ•āϰāĻŋāĨ¤

āĻ•āĻžāϰ⧇āĻ¨ā§āϏāĻŋ āϕ⧋āϰāĻŋāϞ⧇āĻļāύ āĻĨ⧇āϕ⧇ āφāĻŽāϰāĻž āϜāĻžāύāϤ⧇ āĻĒāĻžāϰāĻŋ āϝ⧇, āĻĻ⧁āϟāĻŋ āĻ•āĻžāϰ⧇āĻ¨ā§āϏāĻŋ āĻĒā§‡ā§ŸāĻžāϰ āĻ•āĻŋ āĻāĻ•āχ āĻĻāĻŋāϕ⧇ āĻŽā§āĻ­ āĻ•āϰāϛ⧇, āύāĻžāĻ•āĻŋ āĻŦāĻŋāĻĒāϰ⧀āϤ āĻĻāĻŋāϕ⧇ āĻŽā§āĻ­ āĻ•āϰāϛ⧇ , āύāĻžāĻ•āĻŋ āϤāĻžāĻĻ⧇āϰ āĻŽā§āĻ­āĻŽā§‡āĻ¨ā§āϟ āĻĒ⧁āϰ⧋āχ āĻ­āĻŋāĻ¨ā§āύ āϧāϰāύ⧇āϰ (āĻāĻ•āϟāĻžāϰ āϏāĻžāĻĨ⧇ āĻ…āĻĒāϰāϟāĻžāϰ āĻŽā§āĻ­āĻŽā§‡āĻ¨ā§āĻŸā§‡āϰ āϕ⧋āύāχ āϏāĻŽā§āĻĒāĻ°ā§āĻ• āύ⧇āχ).

āĻĻ⧁āϟāĻŋ āĻĒā§‡ā§ŸāĻžāϰ⧇āϰ āĻŽāĻ§ā§āϝāĻ•āĻžāϰ āĻ•āĻžāϰ⧇āĻ¨ā§āϏāĻŋ āϕ⧋āϰāĻŋāϞ⧇āĻļāύ -ā§§ āĻĨ⧇āϕ⧇ ā§§ āĻāϰ āĻŽāĻ§ā§āϝ⧇ āĻšāϤ⧇ āĻĒāĻžāϰ⧇āĨ¤

āĻĢāϰ⧇āĻ•ā§āϏ āĻŸā§āϰ⧇āĻĄāĻžāϰ āĻšāĻŋāϏ⧇āĻŦ⧇ āφāĻĒāύāĻŋ āχāϤāĻŋāĻŽāĻ§ā§āϝ⧇āχ āϜāĻžāύ⧇āύ āϝ⧇, āĻĢāϰ⧇āĻ•ā§āϏ āĻŽāĻžāĻ°ā§āϕ⧇āĻŸā§‡ āĻ•āĻžāϰ⧇āĻ¨ā§āϏāĻŋāϗ⧁āϞ⧋ āĻœā§‹ā§œāĻžā§Ÿ āĻœā§‹ā§œāĻžā§Ÿ āĻŸā§āϰ⧇āĻĄ āĻ•āϰāĻž āĻšā§ŸāĨ¤ āĻ…āĻ°ā§āĻĨāĻžā§Ž, āĻĄāϞāĻžāϰ⧇āϰ āĻŦāĻĻāϞ⧇ āχāωāϰ⧋, āĻĄāϞāĻžāϰ⧇āϰ āĻŦāĻĻāϞ⧇ āĻĒāĻžāωāĻ¨ā§āĻĄ āχāĻ¤ā§āϝāĻžāĻĻāĻŋāĨ¤ āφāĻĒāύāĻŋ āϝāĻĻāĻŋ āϜāĻžāύāϤ⧇ āϚāĻžāύ, āĻļ⧁āϧ⧁ āχāωāϰ⧋āϰ āĻŽā§‚āĻ˛ā§āϝ āĻ•āϤ, āϏ⧇āϟāĻž āĻ…āϏāĻŽā§āĻ­āĻŦāĨ¤ āχāωāϰ⧋āϰ āĻŽā§‚āĻ˛ā§āϝ āύāĻŋāĻ°ā§āϧāĻžāϰāĻŋāϤ āĻšā§Ÿ āĻĄāϞāĻžāϰ⧇āϰ āĻŦāĻŋāĻĒāϰ⧀āϤ⧇ āĻāĻ•āĻ­āĻžāĻŦ⧇ (āϝ⧇āĻŽāύāσ ā§§ āχāωāϰ⧋ = āĻāĻ–āύ āĻĒā§āϰāĻžā§Ÿ ā§§.ā§Šā§Ē āĻĄāϞāĻžāϰ), āĻĒāĻžāωāĻ¨ā§āĻĄā§‡āϰ āĻŦāĻŋāĻĒāϰ⧀āϤ⧇ āφāϰ⧇āĻ•āĻ­āĻžāĻŦ⧇ (āϝ⧇āĻŽāύāσ ā§§ āχāωāϰ⧋ = āĻāĻ–āύ āĻĒā§āϰāĻžā§Ÿ ā§Ļ.ā§Žā§Š āĻĒāĻžāωāĻ¨ā§āĻĄ)āĨ¤ āĻļ⧁āϧ⧁ āχāωāϰ⧋āϰ āϕ⧋āύ āĻŽā§‚āĻ˛ā§āϝ āύ⧇āχāĨ¤ āϤāĻžāχ āĻŽā§‡āϟāĻžāĻŸā§āϰ⧇āĻĄāĻžāϰ⧇ āφāĻŽāϰāĻž āĻļ⧁āϧ⧁ āχāωāϰ⧋ āĻŦāĻž āĻļ⧁āϧ⧁ āĻĄāϞāĻžāϰ āĻŦāĻžāχ āϏ⧇āϞ āĻ•āϰāĻžāϰ āĻ…āĻĒāĻļāύ āĻĻ⧇āĻ–āĻŋ āύāĻžāĨ¤ āĻĻ⧇āĻ–āĻŋ EUR/USD, GBP/USD āĻŦāĻž AUD/USD āĻŦāĻžāχ āϏ⧇āϞ āĻ•āϰāĻžāϰ āĻ…āĻĒāĻļāύāĨ¤

āĻāĻ–āύ āĻĒā§āϰāĻļā§āύ āĻšāĻšā§āϛ⧇, āĻāχ āϝ⧇ āĻĒā§‡ā§ŸāĻžāϰāϗ⧁āϞ⧋, āϝ⧇āĻŽāύ EUR/USD āĻ…āĻĨāĻŦāĻž AUD/USD, āĻāĻĻ⧇āϰ āĻāĻ•āϟāĻŋāϰ āĻŽā§āĻ­āĻŽā§‡āĻ¨ā§āĻŸā§‡āϰ āϏāĻžāĻĨ⧇ āĻ•āĻŋ āφāϰ⧇āĻ•āϟāĻŋāϰ āĻŽā§āĻ­āĻŽā§‡āĻ¨ā§āĻŸā§‡āϰ āϕ⧋āύ āϏāĻŽā§āĻĒāĻ°ā§āĻ• āφāϛ⧇?

āϤāĻžāϰ āφāϗ⧇ āύāĻŋāĻšā§‡āϰ āĻ›āĻŦāĻŋāϟāĻŋ āĻĻ⧇āϖ⧁āύāσ

āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇

āĻĒā§āϰāĻĨāĻŽ āĻĻ⧇āĻ–āĻžā§Ÿ āĻŽāύ⧇ āĻšāϤ⧇ āĻĒāĻžāϰ⧇ āĻĻ⧁āϟāĻŋ āϚāĻžāĻ°ā§āϟ āχ āĻŦā§‹āϧāĻšāĻ‡ā§Ÿ āĻāĻ•āχ āĻ•āĻžāϰ⧇āĻ¨ā§āϏāĻŋ āĻĒā§‡ā§ŸāĻžāϰ⧇āϰāĨ¤ āφāϏāϞ⧇, āĻŦāĻžāĻŽ āĻĻāĻŋāϕ⧇āϰ āϚāĻžāĻ°ā§āϟāϟāĻŋ āĻšāĻšā§āϛ⧇ CHF/JPY āĻāϰ āĻāĻŦāĻ‚ āĻĄāĻžāύ āĻĻāĻŋāϕ⧇āϰ āϚāĻžāĻ°ā§āϟāϟāĻŋ āĻšāĻšā§āϛ⧇ EUR/JPY āĻāϰāĨ¤ ā§§ āϘāĻ¨ā§āϟāĻž āϟāĻžāχāĻŽāĻĢā§āϰ⧇āĻŽā§‡ āĻĻ⧁āĻŸā§‹ āĻĒā§‡ā§ŸāĻžāϰāχ āĻāϤāĻŦ⧇āĻļāĻŋ āĻāĻ•āχāϰāĻ•āĻŽ āĻŽā§āĻ­ āĻ•āϰāϛ⧇ āϝ⧇, āϤāĻžāĻĻ⧇āϰ āϚāĻžāĻ°ā§āϟāϗ⧁āϞ⧋āĻ“ āĻĻ⧇āĻ–āϤ⧇ āĻšā§āĻŦ⧁āĻšā§ āĻāĻ•āĨ¤ CHF/JPY āϝāĻ–āύ āĻŦāĻžā§œāϛ⧇, EUR/JPY āĻ“ āĻ āĻŋāĻ• āĻāĻ•āχāĻ­āĻžāĻŦ⧇ āĻŦāĻžā§œāϛ⧇, āφāĻŦāĻžāϰ CHF/JPY āϝāĻ–āύ āĻ•āĻŽāϛ⧇, EUR/JPY āĻ“ āĻ āĻŋāĻ• āĻāĻ•āχāĻ­āĻžāĻŦ⧇ āĻ•āĻŽāϛ⧇āĨ¤ āϝāĻžāϕ⧇ āĻŦāϞāĻž āϝ⧇āϤ⧇ āĻĒāĻžāϰ⧇ āĻāĻ•āĻĻāĻŽ, āĻ āĻŋāĻ• āĻĒāĻžāϰāĻĢ⧇āĻ•ā§āϟ āϕ⧋āϰāĻŋāϞ⧇āĻļāύāĨ¤

āĻ“āĻš, “āĻĒāĻžāϰāĻĢ⧇āĻ•ā§āϟ āϕ⧋āϰāĻŋāϞ⧇āĻļāĻ¨â€ āĻ•āĻŋ, āϤāĻžāχ āϤ⧋ āĻŦāϞāĻž āĻšāϞ āύāĻžāĨ¤ āĻĢāϰ⧇āĻ•ā§āϏ āĻŽāĻžāĻ°ā§āϕ⧇āĻŸā§‡ āĻĻ⧁āĻŸā§‹ āĻĒā§‡ā§ŸāĻžāϰ⧇āϰ āĻŽāĻ§ā§āϝāĻ•āĻžāϰ āĻŽā§āĻ­āĻŽā§‡āĻ¨ā§āĻŸā§‡āϰ āϏāĻŽā§āĻĒāĻ°ā§āĻ•āϕ⧇ -ā§§ āĻĨ⧇āϕ⧇ ā§§, āĻāχ āĻ¸ā§āϕ⧇āϞ⧇ āĻ­āĻžāĻ— āĻ•āϰāĻž āĻšā§Ÿā§‡āϛ⧇āĨ¤

+ā§§ āĻŽāĻžāύ⧇, āĻĒāĻžāϰāĻĢ⧇āĻ•ā§āϟ āĻĒāϜāĻŋāϟāĻŋāĻ­ āϕ⧋āϰāĻŋāϞ⧇āĻļāύ – āĻ…āĻ°ā§āĻĨāĻžā§Ž, āĻĻ⧁āϟāĻŋ āĻĒā§‡ā§ŸāĻžāϰ⧇āϰ āĻŽā§āĻ­āĻŽā§‡āĻ¨ā§āϟ āĻšā§āĻŦ⧁āĻšā§ āĻāĻ•āχ āϰāĻ•āĻŽ
āĻ•āĻŋ āĻŽāύ⧇ āĻšā§Ÿ? āĻŦāĻžāĻ¸ā§āϤāĻŦ⧇ āĻ•āĻŋ āϤāĻž āĻ•āĻ–āύ⧋ āϏāĻŽā§āĻ­āĻŦ? āύāĻžāĻš! āϤāĻžāχ, āĻĻ⧁āϟāĻŋ āĻĒā§‡ā§ŸāĻžāϰ⧇āϰ āĻŽāĻ§ā§āϝāĻ•āĻžāϰ āϕ⧋āϰāĻŋāϞ⧇āĻļāύ āĻ•āĻ–āύ⧋ +ā§§ āĻšāϤ⧇ āĻĒāĻžāϰ⧇ āύāĻž, āϤāĻŦ⧇ āĻāϰ āĻ•āĻžāĻ›āĻžāĻ•āĻžāĻ›āĻŋ āĻšāϤ⧇ āĻĒāĻžāϰ⧇ , āϝ⧇āĻŽāύāσ +ā§Ļ.⧝⧭ , āϝāĻĻāĻŋ āĻāĻĻ⧇āϰ āĻŽāĻ§ā§āϝāĻ•āĻžāϰ āĻŽā§āĻ­āĻŽā§‡āĻ¨ā§āϟ āĻĒā§āϰāĻžā§Ÿ āĻšā§āĻŦ⧁āĻšā§ āĻāĻ•āχ āϰāĻ•āĻŽ āĻšā§Ÿ)

āφāϰ āϝāĻĻāĻŋ āĻĻ⧁āϟāĻŋ āĻĒā§‡ā§ŸāĻžāϰ⧇āϰ āĻŽā§āĻ­āĻŽā§‡āĻ¨ā§āĻŸā§‡ āĻŦ⧇āĻļ āĻŽāĻŋāϞ āĻĨāĻžāϕ⧇ āĻ•āĻŋāĻ¨ā§āϤ⧁ āϤāĻžāϕ⧇ āĻšā§āĻŦ⧁āĻšā§ āĻŦāϞāĻž āϝāĻžā§Ÿ āύāĻž, āϤāĻžāĻšāϞ⧇? āϏ⧇āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇āĻ“ āϕ⧋āϰāĻŋāϞ⧇āĻļāύ āĻĒāĻœā§‡āϟāĻŋāĻ­āχ āĻšāĻŦ⧇, āϤāĻŦ⧇ āϤāĻž ā§§ āĻĨ⧇āϕ⧇ āĻŦ⧇āĻļ āĻ•āĻŽ, āϝ⧇āĻŽāύāσ ā§Ļ.ā§Ģā§§, ā§Ļ.ā§Ēā§§ āĻāϰāĻ•āĻŽ āĻšāĻŦ⧇āĨ¤ āĻŽā§āĻ­āĻŽā§‡āĻ¨ā§āĻŸā§‡āϰ āĻŽāĻ§ā§āϝāĻ•āĻžāϰ āĻŽāĻŋāϞ āϝāϤ āĻ•āĻŽāϤ⧇ āĻĨāĻžāĻ•āĻŦ⧇, āϤāϤāχ āϕ⧋āϰāĻŋāϞ⧇āĻļāύ āĻ•āĻŽā§‡ āĻļā§‚āĻ¨ā§āϝ⧇āϰ āĻ•āĻžāĻ›āĻžāĻ•āĻžāĻ›āĻŋ āϚāϞ⧇ āφāϏāĻŦ⧇, āϝāĻĻāĻŋ āĻĒā§‡ā§ŸāĻžāϰāĻĻ⧁āĻŸā§‹āϰ āĻŽā§āĻ­āĻŽā§‡āĻ¨ā§āϟ āϤāĻ–āύāĻ“ āĻāĻ•āχ āĻĻāĻŋāϕ⧇ āĻĨāĻžāϕ⧇āĨ¤

0 āĻŽāĻžāύ⧇, āϕ⧋āύ āϕ⧋āϰāĻŋāϞ⧇āĻļāύāχ āύ⧇āχ – āĻŽāĻžāύ⧇, āĻāĻ•āϟāĻŋ āĻĒā§‡ā§ŸāĻžāϰ⧇āϰ āĻŽā§āĻ­āĻŽā§‡āĻ¨ā§āϟ āĻāϰ āϏāĻžāĻĨ⧇ āφāϰ⧇āĻ•āϟāĻŋāϰ āϕ⧋āύ āϏāĻŽā§āĻĒāĻ°ā§āĻ•āχ āύ⧇āχ

āĻāϕ⧇āĻŦāĻžāϰ⧇āχ āϏāĻšāϜ, āϤāĻžāχ āύāĻž?

āφāĻšā§āĻ›āĻž, āϝāĻĻāĻŋ āĻĻ⧁āϟāĻŋ āĻĒā§‡ā§ŸāĻžāϰ⧇āϰ āĻŽāĻžāĻ°ā§āϕ⧇āϟ āĻŽā§āĻ­āĻŽā§‡āĻ¨ā§āϟ āύāĻŋāĻšā§‡āϰ āĻŽāϤ āĻšā§Ÿ?

āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇

āĻāĻŦāĻžāϰ⧇āϰ āĻ…āĻŦāĻ¸ā§āĻĨāĻž āĻ āĻŋāĻ• āĻĒā§āϰāĻĨāĻŽāĻŦāĻžāϰ⧇āϰ āωāĻ˛ā§āĻŸā§‹āϟāĻžāĨ¤ EUR/AUD āϝāĻ–āύ āĻŦāĻžā§œāϛ⧇, AUD/CAD āϤāĻ–āύ āĻ•āĻŽāϛ⧇āĨ¤ āĻāϟāĻžāϕ⧇ āĻŦāϞāĻž āĻšā§Ÿ āύ⧇āϗ⧇āϟāĻŋāĻ­ āϕ⧋āϰāĻŋāϞ⧇āĻļāύāĨ¤ āĻŽāĻžāχāύāĻžāϏ (-) āϚāĻŋāĻšā§āύ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰāĻž āĻšā§Ÿ, āĻāĻ•āϟāĻŋ āĻ•āĻžāϰ⧇āĻ¨ā§āϏāĻŋ āĻĒā§‡ā§ŸāĻžāϰ āϝ⧇ āĻ…āĻ¨ā§āϝāϟāĻŋāϰ āωāĻ˛ā§āĻŸā§‹āĻĻāĻŋāϕ⧇ āĻŽā§āĻ­ āĻ•āϰāϛ⧇, āϤāĻž āĻŦā§‹āĻāĻžāύ⧋āϰ āϜāĻ¨ā§āϝāĨ¤

āĻĻ⧁āϟāĻŋ āĻ•āĻžāϰ⧇āĻ¨ā§āϏāĻŋ āĻĒā§‡ā§ŸāĻžāϰ āĻāĻ­āĻžāĻŦ⧇ āϝāϤ āĻŦ⧇āĻļā§€ āωāĻ˛ā§āĻŸā§‹āĻĻāĻŋāϕ⧇ āĻŽā§āĻ­ āĻ•āϰāĻŦ⧇, āϤāĻžāĻĻ⧇āϰ āĻŽāĻ§ā§āϝāĻ•āĻžāϰ āύ⧇āϗ⧇āϟāĻŋāĻ­ āϕ⧋āϰāĻŋāϞ⧇āĻļāύ āϤāϤāχ āĻŦāĻžā§œāϤ⧇ āĻĨāĻžāĻ•āĻŦ⧇, āϝ⧇āĻŽāύāσ -ā§Ļ.ā§§ā§Ģ ... -ā§Ļ.ā§Šā§Ģ ... -ā§Ļ.ā§Ŧā§Ģ ... -ā§Ļ.ā§Žā§Ģ ... -ā§§.ā§Ļā§Ļ āĨ¤

-ā§§ āĻŽāĻžāύ⧇, āĻĒāĻžāϰāĻĢ⧇āĻ•ā§āϟ āύ⧇āϗ⧇āϟāĻŋāĻ­ āϕ⧋āϰāĻŋāϞ⧇āĻļāύ – āĻ…āĻ°ā§āĻĨāĻžā§Ž, āĻĻ⧁āϟāĻŋ āĻĒā§‡ā§ŸāĻžāϰ⧇āϰ āĻŽā§āĻ­āĻŽā§‡āĻ¨ā§āϟ āĻšā§āĻŦ⧁āĻšā§ āωāĻ˛ā§āĻŸā§‹āĨ¤ āĻāĻ•āϟāĻŋ āĻĒā§‡ā§ŸāĻžāϰ āĻ āĻŋāĻ• āϝ⧇āĻ­āĻžāĻŦ⧇ āĻŦāĻžā§œāĻŦ⧇, āφāϰ⧇āĻ•āϟāĻŋ āĻĒā§‡ā§ŸāĻžāϰ āĻ āĻŋāĻ• āϏ⧇āĻ­āĻžāĻŦ⧇ āĻ•āĻŽāĻŦ⧇āĨ¤

āϝāĻĻāĻŋāĻ“ āĻŦāĻžāĻ¸ā§āϤāĻŦ⧇ āϕ⧋āϰ⧇āϞāĻŋāĻļāύ āĻ āĻŋāĻ• -ā§§ āĻšāĻ“ā§ŸāĻžāϰ āϏāĻŽā§āĻ­āĻžāĻŦāύāĻž āĻ…āύ⧇āĻ• āĻ•āĻŽ, āϕ⧇āύāύāĻž āĻĻ⧁āϟāĻŋ āĻĒā§‡ā§ŸāĻžāϰ āĻ•āĻ–āύ⧋āχ āĻšā§āĻŦ⧁āĻšā§ āωāĻ˛ā§āĻŸā§‹ āĻ­āĻžāĻŦ⧇ āĻāĻ•āϟāĻŋ āύāĻŋāĻ°ā§āĻĻāĻŋāĻˇā§āϟ āϏāĻŽā§Ÿā§‡ āωāĻ˛ā§āĻŸā§‹āĻ­āĻžāĻŦ⧇ āĻŦāĻžā§œā§‡ āĻ•āĻŽā§‡ āύāĻžāĨ¤ āϝāĻĻāĻŋ āϕ⧋āϰāĻŋāϞ⧇āĻļāύ -ā§Ļ.⧝ā§Ļ āĻĨ⧇āϕ⧇ -ā§§ āĻāϰ āĻŽāĻ§ā§āϝ⧇ āĻĨāĻžāϕ⧇, āϤāĻžāĻšāϞ⧇āχ āϧāϰ⧇ āĻ¨ā§‡ā§ŸāĻž āĻšā§Ÿ āϝ⧇, āĻ•āĻžāϰ⧇āĻ¨ā§āϏāĻŋ āĻĒā§‡ā§ŸāĻžāϰāĻĻ⧁āĻŸā§‹ āĻ…āύ⧇āĻ• āĻŦ⧇āĻļāĻŋ āύ⧇āϗ⧇āϟāĻŋāĻ­ āϕ⧋āϰāĻŋāϞ⧇āĻļāύ⧇ āφāϛ⧇ āĻāĻŦāĻ‚ āĻāĻ•āϟāĻž āĻŦāĻžā§œāĻž āĻŽāĻžāύ⧇āχ, āĻ…āĻĒāϰāϟāĻž āĻ•āĻŽāĻŦ⧇āĨ¤

āĻāĻŦāĻžāϰ āφāĻŽāĻžāĻĻ⧇āϰ āĻĒā§āϰāĻĨāĻŽ āĻĒā§āϰāĻļā§āύ⧇ āĻĢāĻŋāϰ⧇ āφāϏāĻŋāĨ¤ āĻ…āύ⧇āĻ• āϏāĻŽā§Ÿāχ āĻĻ⧇āĻ–āĻž āϝāĻžā§Ÿ āϝ⧇, āĻ…āĻ¸ā§āĻŸā§āϰ⧇āϞāĻŋ⧟āĻžāύ āϕ⧋āύ āύāĻŋāωāĻœā§‡āϰ āĻĒā§āϰāĻ­āĻžāĻŦ⧇ AUD/USD āĻāϰ āĻĒāϤāύ āĻļ⧁āϰ⧁ āĻšāϞ, āϏāĻžāĻĨ⧇ āϏāĻžāĻĨ⧇ EUR/USD āĻāϰāĻ“, āϕ⧋āύ āĻ•āĻžāϰāύ āĻ›āĻžā§œāĻžāχāĨ¤ āϕ⧇āύ?

āĻāϟāĻžāϕ⧇ āϏāĻšāϜāĻ­āĻžāĻŦ⧇āχ āϕ⧋āϰāĻŋāϞ⧇āĻļāύ āĻāϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āĻŦā§āϝāĻžāĻ–ā§āϝāĻž āĻ•āϰāĻž āϝāĻžā§ŸāĨ¤ āϝāĻĻāĻŋ, āύāĻŋāωāĻœā§‡āϰ āφāϗ⧇, AUD/USD āĻāϰ āϏāĻžāĻĨ⧇ EUR/USD āĻāϰ āϕ⧋āϰāĻŋāϞ⧇āĻļāύ āĻ…āύ⧇āĻ• āĻŦ⧇āĻļāĻŋ āĻĒāĻœā§‡āϟāĻŋāĻ­ āĻĨāĻžāϕ⧇ (āϝ⧇āĻŽāύāσ +ā§Ļ.⧝ā§Ļ), āϤāĻžāĻšāϞ⧇ āĻāχ āĻĒāĻœā§‡āϟāĻŋāĻ­ āϕ⧋āϰāĻŋāϞ⧇āĻļāύ⧇āϰ āĻ•āĻžāϰāύ⧇ AUD/USD āĻĒ⧜āϤ⧇ āĻļ⧁āϰ⧁ āĻ•āϰāϞ⧇, EUR/USD āĻ“ āϤāĻž āĻĻā§āĻŦāĻžāϰāĻž āĻĒā§āϰāĻ­āĻžāĻŦāĻŋāϤ āĻšāĻŦ⧇ āĻ“ āĻĻ⧁āĻ°ā§āĻŦāϞ āĻšāϤ⧇ āĻļ⧁āϰ⧁ āĻ•āϰāĻŦ⧇āĨ¤ āϝāĻĻāĻŋāĻ“ EUR/USD āĻāϰ āωāĻĒāϰ āĻ“āχ āĻ…āĻ¸ā§āĻŸā§āϰ⧇āϞāĻŋ⧟āĻžāύ āύāĻŋāωāϜāϟāĻŋāϰ āϏāϰāĻžāϏāϰāĻŋ āϕ⧋āύ āĻĒā§āϰāĻ­āĻžāĻŦ āĻ›āĻŋāϞ āύāĻžāĨ¤

āĻāĻ–āύ āφāĻĒāύāĻŋ āĻœā§‡āύ⧇ āϗ⧇āϛ⧇āύ āĻ•āĻžāϰ⧇āĻ¨ā§āϏāĻŋ āϕ⧋āϰāĻŋāϞ⧇āĻļāύ āĻ•āĻžāϕ⧇ āĻŦāϞ⧇, āĻĒāĻœā§‡āϟāĻŋāĻ­ āĻŦāĻž āύ⧇āϗ⧇āϟāĻŋāĻ­ āĻ•āĻžāϰ⧇āĻ¨ā§āϏāĻŋ āϕ⧋āϰāĻŋāϞ⧇āĻļāύ āĻ•āĻŋ āϜāĻŋāύāĻŋāϏ āĻāĻŦāĻ‚ āĻ•āĻŋāĻ­āĻžāĻŦ⧇ āϤāĻž āĻŦāĻžāĻ¸ā§āϤāĻŦ⧇ āĻ•āĻžāϜ āĻ•āϰ⧇āĨ¤ āĻŦā§āϝāĻžāĻĒāĻžāϰāϟāĻž āĻŽāϜāĻžāϰ, āϤāĻžāχ āύāĻž? āφāĻŽāĻŋ āϜāĻžāύāĻŋ, āĻ•āĻŋāϛ⧁ āĻĒā§āϰāĻļā§āύ āφāĻĒāύāĻžāϰ āĻŽāĻžāĻĨāĻžā§Ÿ āχāϤāĻŋāĻŽāĻ§ā§āϝ⧇āχ āϘ⧁āϰāĻĒāĻžāĻ• āĻ–āĻžāĻšā§āϛ⧇āĨ¤ āϝ⧇āĻŽāύāσ

ā§§. āĻ•āĻžāϰ⧇āĻ¨ā§āϏāĻŋ āϕ⧋āϰāĻŋāϞ⧇āĻļāύ āĻ•āĻŋ āϏāĻŦāϏāĻŽā§Ÿāχ āĻāĻ•āχ āĻĨāĻžāϕ⧇, āύāĻžāĻ•āĻŋ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύāĻ“ āĻšāϤ⧇ āĻĒāĻžāϰ⧇? āĻšāϞ⧇, āφāĻŽāĻŋ āĻ•āĻŋāĻ­āĻžāĻŦ⧇ āĻŦ⧁āĻāĻŦ?
⧍. āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻĒā§‡ā§ŸāĻžāϰ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āĻ•āĻžāϰ⧇āĻ¨ā§āϏāĻŋ āϕ⧋āϰāĻŋāϞ⧇āĻļāύ āĻœā§‡āύ⧇ āφāĻŽāĻžāϰ āĻ•āĻŋ āϞāĻžāĻ­? āĻŸā§āϰ⧇āĻĄā§‡ āĻ•āĻŋ āϕ⧋āύ āϏ⧁āĻŦāĻŋāϧāĻž āĻĒāĻžāĻ“ā§ŸāĻž āϝāĻžāĻŦ⧇? āĻĻā§āĻŦāĻŋāĻ¤ā§€ā§Ÿ āĻ•āĻžāϰ⧇āĻ¨ā§āϏāĻŋ āĻĒā§‡ā§ŸāĻžāϰāϟāĻž āύāĻžāĻšā§Ÿ āĻĒā§āϰāĻĨāĻŽāϟāĻžāϕ⧇ āĻĢāϞ⧋ āĻ•āϰāĻŦ⧇, āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻĒā§āϰāĻĨāĻŽāϟāĻž āĻ•āĻŋāĻ­āĻžāĻŦ⧇ āĻŽā§āĻ­ āĻ•āϰāĻŦ⧇, āϏ⧇āϟāĻžāχ āϤ⧋ āϜāĻžāύāĻŋ āύāĻž!
ā§Š. āĻ•āĻžāϰ⧇āĻ¨ā§āϏāĻŋ āϕ⧋āϰāĻŋāϞ⧇āĻļāύ āĻ•āĻŋāĻ­āĻžāĻŦ⧇ āĻŦ⧇āϰ āĻ•āϰāϤ⧇ āĻšā§Ÿ?

āχāĻ¤ā§āϝāĻžāĻĻāĻŋ āχāĻ¤ā§āϝāĻžāĻĻāĻŋ ...

āĻĒāϰāĻŋāĻ•āĻ˛ā§āĻĒāύāĻž āφāϛ⧇, āĻĒāϰāĻŦāĻ°ā§āϤ⧀ āĻĒā§‹āĻ¸ā§āϟāϗ⧁āϞ⧋āϤ⧇ āĻāϏāĻŦ āύāĻŋā§Ÿā§‡ āĻŦāĻŋāĻ¸ā§āϤāĻžāϰāĻŋāϤ āφāϞ⧋āϚāύāĻž āĻ•āϰāĻžāϰ āφāĻĒāύāĻžāĻĻ⧇āϰ āĻ…āύ⧁āĻĒā§āϰ⧇āϰāĻŖāĻž āĻ“ āĻ‰ā§ŽāϏāĻžāĻš āĻĒ⧇āϞ⧇āĨ¤ āϏāĻŦāĻžāχāϕ⧇ āĻ…āύ⧇āĻ• āϧāĻ¨ā§āϝāĻŦāĻžāĻĻ āĻāϤ āĻ•āĻˇā§āϟ āĻ•āϰ⧇ āĻāχ āĻŦāĻŋāĻļāĻžāϞ āĻĒā§‹āĻ¸ā§āϟ āϤāĻž āĻĒ⧜āĻžāϰ āϜāĻ¨ā§āϝāĨ¤
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Trend Line āĻĻā§āĻŦāĻžāϰāĻž āĻŸā§āϰ⧇āĻĄ āĻ•āϰāĻžāϰ āϏāĻšāϜ āĻĒāĻĻā§āϧāϤāĻŋ

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āĻĢāϰ⧇āĻ•ā§āϏ āĻŸā§āϰ⧇āĻĄāĻŋāĻ‚ āĻāϰ āϜāĻ¨ā§āϝ āϝāϤ āϧāϰāύ⧇āϰ āĻĒāĻĻā§āϧāϤāĻŋ āĻŦāĻž, āĻ¸ā§āĻŸā§āϰāĻžāĻŸā§‡āĻœā§€ āφāϛ⧇, āϤāĻžāϰ āĻŽāĻ§ā§āϝ⧇ āϏāĻŦāĻšā§‡ā§Ÿā§‡ āϏāĻšāϜ āĻĒāĻĻā§āϧāϤāĻŋ āĻšāĻšā§āϛ⧇ Trend Line āĻ…āĻ‚āĻ•āύ āĻ•āϰ⧇ āĻŽāĻžāĻ°ā§āϕ⧇āĻŸā§‡āϰ āĻŦā§āϰ⧇āĻ•-āφāωāϟ-āϕ⧇ āϚāĻŋāĻšā§āύāĻŋāϤ āĻ•āϰāĻž āĻāĻŦāĻ‚ āϏ⧇āχ āĻ…āύ⧁āϝāĻžā§Ÿā§€ āĻŸā§āϰ⧇āĻĄ āĻ“āĻĒ⧇āύ āĻ•āϰāĻž āĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻĒā§āϰāĻžā§Ÿ āϏāĻŽā§Ÿāχ āĻĻ⧇āĻ–āĻž āϝāĻžā§Ÿ āϝ⧇, āĻŸā§āϰ⧇āĻ¨ā§āĻĄ āϞāĻžāχāύ āĻŦā§āϰ⧇āĻ• āĻ•āϰ⧇ āĻĢāϞāϏ āĻŦā§āϰ⧇āĻ•-āφāωāĻŸā§‡āϰ āϘāϟāύāĻž āϘāĻŸā§‡ āĻāĻŦāĻ‚ āϭ⧁āϞ āĻŸā§āϰ⧇āĻĄā§‡āϰ āĻ•āĻžāϰāĻŖ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻāχ āĻĢāϞāϏ āĻŦā§āϰ⧇āĻ•-āφāωāϟ āϖ⧁āĻŦāχ āĻāĻžāĻŽā§‡āϞāĻžāϰ āϏ⧃āĻˇā§āϟāĻŋ āĻ•āϰ⧇ āĻĨāĻžāϕ⧇ āĨ¤


āĻŸā§āϰ⧇āĻ¨ā§āĻĄ āϞāĻžāχāύ⧇āϰ āĻŦā§āϰ⧇āĻ•-āφāωāϟ āϏāĻ¤ā§āϝāĻŋāĻ•āĻžāϰ⧇āϰ āĻœā§‡āύ⧁āχāύ āĻŦā§āϰ⧇āĻ•-āφāωāϟ āύāĻžāĻ•āĻŋ, āϭ⧁⧟āĻž āĻĢ⧇āĻ•-āφāωāϟ āϤāĻž āύāĻŋāĻ°ā§āϧāĻžāϰāϪ⧇āϰ āϜāĻ¨ā§āϝ MACD āĻāĻŦāĻ‚ āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āχāĻ¨ā§āĻĄāĻŋāϕ⧇āϟāϰ⧇āϰ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ…āĻ¤ā§āϝāĻžāĻŦāĻļā§āϝāĻ• āĨ¤ āύ⧀āĻšā§‡āϰ āĻŦāχāϟāĻŋāϤ⧇ āĻœā§‡āύ⧁āχāύ āĻŦā§āϰ⧇āĻ•-āφāωāϟ āĻāĻŦāĻ‚ āĻĢāϞāϏ (āϭ⧁⧟āĻž) āĻĢ⧇āĻ•-āφāωāϟ-āϕ⧇ āϚāĻŋāĻšā§āύāĻŋāϤ āĻ•āϰāĻžāϰ āωāĻĒāĻžā§Ÿ - āϏ⧁āĻ¨ā§āĻĻāϰ āĻ­āĻžāĻŦ⧇ āĻŦāĻ°ā§āĻŖāύāĻž āĻ•āϰ⧇ āĻĻ⧇āĻ“ā§ŸāĻž āĻšā§Ÿā§‡āϛ⧇ āĨ¤ āϏ⧇āχ āϏāĻžāĻĨ⧇ āĻŸā§āϰ⧇āĻ¨ā§āĻĄ āϞāĻžāχāύ āĻ…āĻ‚āĻ•āύ āĻ•āϰ⧇ āĻ•āĻŋāĻ­āĻžāĻŦ⧇ āϏāĻšāĻœā§‡ āĻŸā§āϰ⧇āĻĄ āĻ•āϰāĻž āϝāĻžā§Ÿ āϤāĻžāϰāĻ“ āωāĻĒāĻžā§Ÿ āĻŦāϞ⧇ āĻĻ⧇āĻ“ā§ŸāĻž āφāϛ⧇ āĨ¤ āĻāχ āĻŦāχāϟāĻŋ āĻŦ⧜ āφāĻ•ā§ƒāϤāĻŋāϰ āϕ⧋āύ āĻŦāχ āύāĻž āĻšāϞ⧇āĻ“ āĻāϤ⧇ āĻļāĻŋāĻ–āĻžāϰ āĻŽāϤ āĻ…āύ⧇āĻ• āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻŦāĻŋāώ⧟-āĻŦāĻ¸ā§āϤ⧁ āĻ°ā§Ÿā§‡āϛ⧇ āϝāĻž āύāĻŦā§€āύ āĻŸā§āϰ⧇āĻĄāĻžāϰāĻĻ⧇āϰ āĻāϕ⧇āĻŦāĻžāϰ⧇āχ āĻ…āϜāĻžāύāĻž āĨ¤

āĻ›āĻŦāĻŋ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰāĻž āĻšāϝāĻŧ⧇āϛ⧇

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